“And I didn’t think about the material as much. But sometimes I’ve thought about the material a lot and thought I was doing the right thing, and it didn’t work out.”

After looking at Salomaybe, I don’t know who the hell the real me is. I think it’s closest now to the real me because for one thing, I’m used to this.

When I was younger, there was the sex thing. That’s par for the course.When you’re a movie star, it went with it. It’s a kind of rite of passage, socially.

[Ocean’s Thirteen] is a great group, and it was an opportunity to work with Steven Soderbergh. But mainly? It was shot in L.A. and I want to be next to my kids.

I come from the South Bronx – a true descendant of the melting pot. I grew up in a really mixed neighborhood; it was a very integrated life.

It’s childish. It’s also responsible. It’s illuminating, enriching, joyful, drab. It’s bizarre, diabolical. It’s exciting.

My first language was shy. It’s only by having been thrust into the limelight that I have learned to cope with my shyness.

I was quite overtaken by success and fame. I was one of those types who responded to it in a negative way. It was not easy.

When I was younger, I would go to auditions to have the opportunity to audition, which would mean another chance to get up there and try out my stuff.

Be careful how you judge people, most of all friends. You don’t sum up a man’s life in one moment.

Our life is looking forward or looking back, that’s it. Where is the moment?

And then you go back like a few days later and then you listen to the movie. And it sort of plays in your mind like a film, like a first rough cut of a movie.

Learning (Shakespeare’s plays) …in school was a bit of a bore.

The story of Salome, the play itself and what it is, what it contains, and my journey as an actor, as a director, as a filmmaker, as a person struggling with whatever I’m struggling with.

Here in these films [Salome the play and Salomaybe], I have the opportunity to say something about how I feel about things.

I would come home and she would tell me about her life that day and all her problems and I remember saying to her, look, you really got me through this picture because I would shed everything when I came home.

Sometimes they are the same exact thing.

I don’t want to go out there and do something 3,000 other people can do.

Everything we do in life is based on fear, especially love.

How do you know what it’s like to be stupid if you’ve never been smart?

All I know is that if we play well, we control our own destiny in terms of what we do.

I don’t remember as a kid wanting to do or be anything else but drive something, be a race driver.

Every coach has his own style of play, but when you spend your whole life as a Cowboy, you have to be influenced by what we did.

She will do this job perfectly for you; don’t bother your head about it.

I think the worst thing a player can do is just not be yourself.