You want to finally come to a point where you say that the women you’re with is also your friend.
AL PACINOYou’re in a conversation and everybody’s agreeing with what you’re saying – even if you say something totally crazy. You need people who can tell you what you don’t want to hear.
More Al Pacino Quotes
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Whether he’s doing great acting or not, you’re seeing somebody who is in the tradition of a great actor.
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I try to get some friends together and read a script aloud. Sometimes I read scripts and record them and play them back to see if there’s a movie.
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Read it to the class and then afterward we would talk and I would answer questions. It was really a way of expressing and finding out about where I was at that particular time, so it was very therapeutic for me.
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I’ve never cared for guns. In fact, when I did ‘Scent of a Woman’ I had to learn how to assemble one.
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I’m constantly striving to break through to something new.
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I always had this thing, when I was younger especially, I didn’t want to do movies that much.
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When you perform with a live audience, the audience comes back to you.
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A lot of actors choose parts by the scripts, but I don’t trust reading the scripts that much.
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The play is the source, it is orchestrated with words. In a movie, you are not dealing with as much as that. There are machines and wires.
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Women have always had equal importance onstage, and working with them must have altered my sensibilities.
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You take a guy like George Clooney who goes out there to Darfur, and gets things done! That’s magical. He’s done a great thing.
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Playing a character is an illusion, and I feel that when you know too much about a person, possibly part of that illusion is disrupted.
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I found out how temperamental I am, yes. And that sometimes that can be kind of off-putting.
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I picked the wrong movie, or I didn’t pursue a character, but everything you do is part of you and you get something from it.
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That was the first thing I was struck by, not by the acting, not by anything else, but by the physicality.
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Look, but don’t touch. Touch, but don’t taste. Taste, but don’t swallow.
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I used to say I wanted to genuflect to a woman, put her up on a pedestal higher and higher, way up beyond my grasp…Then I’d find another one.
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I haven’t encouraged [Julia Marie Pacino] or discouraged her. I let her go her own way.
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I don’t talk politics and I don’t talk philosophy or anything like that, but if you look at my work, you might get an expression of me as a person.
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Or try out what I learned and see how it worked with an audience, because where are you gonna get an audience?
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I probably write a poem every 50 years.
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Here in these films [Salome the play and Salomaybe], I have the opportunity to say something about how I feel about things.
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Opinions I have about anything are in my personal life.
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If I was a painter no one would question me about my age. I’m an artist, I hate saying that.
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The difference between the actor and the painter is that the actor would buy somebody a knish in order to have them watch him act.
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When you’re reading some of the great plays, when you do what I call “taking up with a writer,” something happens.
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