A photograph is always invisible, it is not it that we see.
ROLAND BARTHESI passed beyond the unreality of the thing represented, I entered crazily into the spectacle, into the image, taking into my arms what is dead, what is going to die.
More Roland Barthes Quotes
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All official institutions of language are repeating machines: school, sports, advertising, popular songs, news, all continually repeat the same structure, the same meaning, often the same words: the stereotype is a political fact, the major figure of ideology.
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I have tried to be as eclectic as I possibly can with my professional life, and so far it’s been pretty fun.
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Every object in the world can pass from a closed, silent existence to an oral state, open to appropriation by society, for there is no law, whether natural or not, which forbids talking about things
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To try to write love is to confront the muck of language: that region of hysteria where language is both too much and too little, excessive and impoverished.
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Thus every writer’s motto reads: mad I cannot be, sane I do not deign to be, neurotic I am.
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Every exploration is an appropriation.
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One must turn the tongue seven times in the mouth before speaking.
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Each of us has his own rhythm of suffering.
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He who reads a story only once is condemned to read the same story his whole life.
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Why is it better to last than to burn?
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To know that one does not write for the other, to know that these things I am going to write will never cause me to be loved by the one I love (the other), to know that writing compensates for nothing, sublimates nothing, that it is precisely there where you are not–this is the beginning of writing.
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We can never know, for the good reason that writing is the destruction of every voice, every origin. Writing is that neuter, that composite, that obliquity into which our subject flees, the black-and-white where all identity is lost, beginning with the very identity of the body that writes.
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All those young photographers who are at work in the world, determined upon the capture of actuality, do not know that they are agents of Death.
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As Spectator I wanted to explore photography not as a question (a theme) but as a wound.
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Through the mythology of Einstein, the world blissfully regained the image of knowledge reduced to a formula.
ROLAND BARTHES