Who speaks is not who writes, and who writes is not who is.
ROLAND BARTHESThere is only one way left to escape the alienation of present day society: to retreat ahead of it.
More Roland Barthes Quotes
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A photograph is always invisible, it is not it that we see.
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The lover’s fatal identity is precisely this: I am the one who waits.
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Great portrait photographers are great mythologists.
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Pleasure is continually disappointed, reduced, deflated, in favor of strong, noble values: Truth, Death, Progress, Struggle, Joy, etc. Its victorious rival is Desire: we are always being told about Desire, never about Pleasure.
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Don’t say mourning. It’s too psychoanalytic. I’m not mourning. I’m suffering.
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Language is never innocent.
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This endured absence is nothing more or less than forgetfulness. I am, intermittently, unfaithful. This is the condition of my survival.
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Thus every writer’s motto reads: mad I cannot be, sane I do not deign to be, neurotic I am.
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In front of the photograph of my mother as a child, I tell myself: she is going to die: I shudder, like winnicott’s psychotic patient, over a catastrophe which has already occurred. Whether or not the subject is already dead, every photograph is this catastrophe.
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To eat, to speak, to sing (need we add: to kiss?) are operations which have the same site of the body for origin.
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The realists do not take the photograph for a ‘copy’ of reality, but for an emanation of past reality, a magic, not an art.
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Literature is the question minus the answer.
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The photographer, like an acrobat, must defy the laws of probability or even of possibility; at the limit, he must defy those of the interesting: the photograph becomes surprising when we do not know why it has been taken.
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To eat steak rare represents both a nature and a morality.
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Isn’t desire always the same, whether the object is present or absent? Isn’t the object always absent? -This isn’t the same languor: there are two words: Pothos, desire for the absent being, and Himéros, the more burning desire for the present being.
ROLAND BARTHES