“It’s never really that much fun for me to do movies anyway, because you – you know, you have to get up very early in the morning and you have to go in and you spend a lot of time waiting around.”

I was watching Revolution, and the things I did in that picture, holy smokes! I can’t believe I did that, it’s like another person. It’s the thought of it, it’s just appalling to me.

I understand the directors much more. I was always rebelling against them when I was a youngster, I didn’t want to be told what to do. I had no identification.

Shakespeare’s plays are more violent than ‘Scarface.’

The only thing in this world that gives orders is balls.

Many years ago, in the late ’70s, I toured colleges along the East Coast and I presented a kind of show where I got a lot of books and poetry and pieces of [William] Shakespeare and other writers that I admire.

The actor becomes an emotional athlete.

I’m more comfortable in a play. In film, there’s always a certain sense of control, of holding back.

Sometimes you feel critics are wrong all the time, but I don ‘t take objection to it, because that’s the way it goes. They can be wrong, they can be right. They can be cruel, they can be kind.

When you perform with a live audience, the audience comes back to you.

Really, I didn’t know my dad very well. He and my mother split up after the war. I was raised by my maternal grandmother and grandfather, and by my mother.

I try to get some friends together and read a script aloud. Sometimes I read scripts and record them and play them back to see if there’s a movie.

If you can identify with people, you can empathize with people and therefore you understand things.

Sometimes the only way you can get an audience is at an audition.

The reasons you have for doing a movie will vary with the way your life is going. There was a time when a made a some movies because I felt I needed to work.

There are many things my father taught me here in this room. He taught me: keep your friends close, but your enemies closer.

There was once a great actor named George C. Scott. He was on stage in the Delacourt Theater in Central Park, where they do Shakespeare every summer, and he was playing Shylock in The Merchant of Venice.

There’s no point thinking about dying, because it’s going to happen anyway, isn’t it? I don’t waste my time worrying about that.

A man with a financial background may know nothing about manufacturing shoes or cars, but he’s put in charge anyway.

It doesn’t matter if the water is cold or warm if you’re going to have to wade through it anyway.

Sun-bleached bones were most wonderful against the blue – that blue that will always be there as it is now after all man’s destruction is finished.

Anyway, no drug, not even alcohol, causes the fundamental ills of society. If we’re looking for the source of our troubles, we shouldn’t test people for drugs, we should test them for stupidity, ignorance, greed and love of power.

It doesn’t matter what the technology is – no one will watch a Peter Greenaway film anyway.

So I wanted to create soundscapes that are evocative of places that only exist in your head – that’s where the fun, psychedelic stuff happens anyway.

They don’t realize that the actor is looking at their faces, anyway.