Literature is without proofs. By which it must be understood that it cannot prove, not only what it says, but even that it is worth the trouble of saying it.
ROLAND BARTHESThe text you write must prove to me that it desires me. This proof exists: it is writing. Writing is: the science of the various blisses of language, its Kama Sutra (this science has but one treatise: writing itself).
More Roland Barthes Quotes
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Is not the most erotic part of the body wherever the clothing affords a glimpse?
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The lover who does not forget sometimes dies from excess, fatigue, and the strain of memory (like Werther).
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Painting can feign reality without having seen it.
ROLAND BARTHES -
He who reads a story only once is condemned to read the same story his whole life.
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Cameras, in short, were clocks for seeing, and perhaps in me someone very old still hears in the photographic mechanism the living sound of the wood.
ROLAND BARTHES -
The photographic image is a message without a code.
ROLAND BARTHES -
Through the mythology of Einstein, the world blissfully regained the image of knowledge reduced to a formula.
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It is no longer the sexual which is indecent, it is the sentimental.
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It must always be considered as though spoken by a character in a novel
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The art of living has no history: it does not evolve: the pleasure which vanishes vanishes for good, there is no substitute for it. Other pleasures come, which replace nothing. No progress in pleasures, nothing but mutations.
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We don’t forget, but something vacant settles in us.
ROLAND BARTHES -
There is only one way left to escape the alienation of present day society: to retreat ahead of it.
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I try to busy myself elsewhere, to arrive late; but I always lose at this game. Whatever I do, I find myself there, with nothing to do, punctual, even ahead of time.
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This endured absence is nothing more or less than forgetfulness. I am, intermittently, unfaithful. This is the condition of my survival.
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We can never know, for the good reason that writing is the destruction of every voice, every origin. Writing is that neuter, that composite, that obliquity into which our subject flees, the black-and-white where all identity is lost, beginning with the very identity of the body that writes.
ROLAND BARTHES