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Through the mythology of Einstein, the world blissfully regained the image of knowledge reduced to a formula.

Roland Barthes

A light without shadow generates an emotion without reserve.
ROLAND BARTHES

Emotion Light Reserve Shadow
The Ventoux is a god of Evil, to which sacrifices must be made. It never forgives weakness and extracts an unfair tribute of suffering.
ROLAND BARTHES

Evil Forgiveness God Ourselves Suffering Weakness
If I acknowledge my dependency, I do so because for me it is a means of signifying my demand: in the realm of love, futility is not a “weakness” or an “absurdity”: it is a strong sign: the more futile, the more it signifies and the more it asserts itself as strength.)
ROLAND BARTHES

Acknowledge Demand Depend Myself Sign Strength Strong
As Spectator I wanted to explore photography not as a question (a theme) but as a wound.
ROLAND BARTHES

Exploration Myself Photography Question Wound
There is only one way left to escape the alienation of present day society: to retreat ahead of it.
ROLAND BARTHES

Escape Present Way
Don’t say mourning. It’s too psychoanalytic. I’m not mourning. I’m suffering.
ROLAND BARTHES

Mourning Myself Suffering
Wine is a part of society because it provides a basis not only for a morality but also for an environment; it is an ornament in the slightest ceremonials of French daily life, from the snack to the feast, from the conversation at the local cafT to the speech at a formal dinner.
ROLAND BARTHES

Dinner Environment Formal Moral Society Talk Wine
Language is neither reactionary nor progressive; it is quite simply fascist; for fascism does not prevent speech, it compels speech.
ROLAND BARTHES

Language Prevent Progression Speech
To whom could I put this question (with any hope of an answer)? Does being able to live without someone you loved mean you loved her less than you thought?
ROLAND BARTHES

Answer Hope Love Myself Question Yourself
A paradox: the same century invented history and photography. But history is a memory fabricated according to positive formulas, a pure intellectual discourse which abolishes mythic time; and the photograph is a certain but fugitive testimony.
ROLAND BARTHES

History Invention Photography Review
Cameras, in short, were clocks for seeing, and perhaps in me someone very old still hears in the photographic mechanism the living sound of the wood.
ROLAND BARTHES

Camera Living Myself Old Photography Sound
The text is a tissue of quotations drawn from the innumerable centres of culture.
ROLAND BARTHES

Culture Drawing Text
To try to write love is to confront the muck of language: that region of hysteria where language is both too much and too little, excessive and impoverished.
ROLAND BARTHES

Excession Language Love Try Writing
I try to busy myself elsewhere, to arrive late; but I always lose at this game. Whatever I do, I find myself there, with nothing to do, punctual, even ahead of time.
ROLAND BARTHES

Arrival Lose Myself Time
The haiku reproduces the designating gesture of the child pointing at whatever it is (the haiku shows no partiality for the subject), merely saying: that!
ROLAND BARTHES

Children Poem Poetry Reproduction Subject
Ultimately, Photography is subversive, not when it frightens, repels, or even stigmatizes, but when it is pensive, when it thinks.
ROLAND BARTHES

Fear Photography Scare Thinking

Through the mythology of Einstein, the world blissfully regained the image of knowledge reduced to a formula.

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Through the mythology of Einstein, the world blissfully regained the image of knowledge reduced to a formula.

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