“I never adapted anything. Beautiful books are beautiful books, that’s it. I don’t know why we should transform them.”

I tried to find images, allegorical images, that I could use to express things that I didn’t want to say or didn’t want to show or I was not able to find how to show.

In my films I always wanted to make people see deeply. I don’t want to show things, but to give people the desire to see.

Sometimes I say, If I had seen some masterpieces, maybe I wouldn’t have dared start. I started very – not innocent, but naïve in a way.

I’ve always been like this – trying to find adventure where it’s still in its first élan – the first spring.

Humor is such a strong weapon, such a strong answer. Women have to make jokes about themselves, laugh about themselves, because they have nothing to lose.

People know it’s not easy, and even though you have strong feeling and desire and endless love, it doesn’t always happen.

You can buy a good pasta but when you cook it yourself it has another feeling.

My grandson says I’m punk.

I need images, I need representation which deals in other means than reality. We have to use reality but get out of it. That’s what I try to do all the time.

I’d been educated stupidly, I knew nothing about nothing, that’s part of being shy.

When I started my first film, there were three women directors in France. Their films were OK, but I was different. It’s like when you start to jump and you put the pole very high – you have to jump very high. I thought, I have to use cinema as a language.

Many filmmakers have made resurgent work, and I was just a little ahead of the time.

To share a lot of ideas – not ideas – emotions, a way of looking at people, a way of looking at life. If it can be shared, it means there is a common denominator.

Even Vagabond – it was a fiction but it was really a documentary. I mean, it has the texture of documentary. Even if I made up every line, it has the texture of being true.

It sounds so lovely in French. So I took that because it was the subject: I and myself and myself and I. Which is, in a way, boring, because it is a contradiction.

If you know nothing, it could be like an enemy in a way. I think that’s the way I felt when I was young.

When you’re writing there’s no one to collaborate with, there’s no material to look at. I haven’t adapted something yet, so, I’m sure that would be helpful. When you’re writing an original piece you have nothing.