“Sometimes I feel sad, but this is not nostalgia, because I don’t want time to come back.”

I live in cinema. I feel I’ve lived here forever.

I wanted to catch the problem of consumption, waste, poor people eating what we throw away, which is a big subject. But I didn’t want to become a sociologue, an ethnographe, a serious thinker. I thought I should be free, even in a documentary which has a very serious subject.

I see all these students, and I admire them – they’re trying to learn something, they go to school, they do film school, they go on shoots, they help.

I didn’t go to film school. I was never an assistant or trainee on a film. I had not seen all those cameras. So I think it gave me a lot of freedom.

I should say nothing! I’m through with it! I hate to repeat myself all the time.

It’s a way of living, sharing things with people who work with me, and they seem to enjoy it.

You are always in the world. Even in Vagabond. I am not on the road, I am not eating nothing.

I tried to find a language for the film – not just telling stories. I picked the Picasso painting because it said more than I could explain.

People think you are an orphan when you are a child, and don’t believe that old people can feel that they are orphans.

I’m missing some people, you know, and this is not nostalgia. I miss them. This is melancholy.

It’s interesting work for me to tell my life, as a possibility for other people to relate it to themselves – not so much to learn about me.

You have to be strong to be a carpenter, maybe, but the director of a film doesn’t need to have muscles.

I think the digital cameras have changed my view. Even though sometimes, including the installations that I show, I mix 35mm filming and video handmade.

When I did the first edit of Les plages, it was very dry and very square in a way. I was just saying the minimum. I said, Well, if this is the minimum, I don’t make it. So I tried to make it more refined.

Nostalgia doesn’t make sense, because it’s like bringing the memories back to be a special part of my day or to be part of my week. And I’m inside my memories the same way I’m inside my everyday life.

You have to invent life.

I actually find in America, there’s a slight snobbery about actors who go back and forth between big heavy dramas and popcorn fare. That always intrigues me, because that doesn’t exist in the same way in Britain. And I imagine it would be worse.

Design principle: Take things away until the design breaks, then put that last thing back in.

The Republicans have a back up plan in case you do get sick …

In terms of the sort of class, and the sort of snobby, slightly on the back-foot thing Britain has. But it’s much more prevalent in America.

History has spurts and then is steady, and then maybe even backing up a step, and then forward again.

Oral traditions going back a long, long time, which I inherited by osmosis.

What is a husband? He is the one who, with a touch, can bring back the starlight and glow of years long ago. At least he hopes he can – don’t disappoint him.

They need to be on the field at running back, receiver or defensive back.