The vixen I met at twilight on Route 5 south of Willoughby: long dead. She was an omen to me, surviving, herding her cubs in the silvery bend of the road in nineteen sixty-five.
ADRIENNE RICHThe truth of our bodies and our minds has been mystified to us. We therefore have primary obligation to each other: not to undermine each other’s sense of reality for the sake of expediency; not to gaslight each other.
More Adrienne Rich Quotes
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It is not really about them though it targets them as consumers.
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What it is like to live in another skin, what it is like to live in another body, and in that sense to surpass ourselves, to go out beyond ourselves.
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We lose touch with parts of ourselves defined as unacceptable by that consciousness; with the vital toughness and visionary strength of the angry grandmothers, the fierce market women of the Ibo’s Women’s War.
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Change is not a threat to your life, but an invitation to live.
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This is one of the ways in which women’s work and thinking has been made to seem sporadic, errant, orphaned of any tradition of its own.
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The repossession by women of our bodies will bring far more essential change to human society than the seizing of the means of production by workers.
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To “see the light” too often has meant rejecting the treasures found in darkness.
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“Support” groups for every kind of human condition, where, in the clichés of that milieu, people “share” and “heal,” the question, “What for?”, “What now?” is no longer asked.
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I don’t want to succumb to the idea that for the generation, or generations, raised on television, the text is irrelevant or so intimidating that they won’t deal with it.
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Only where there is language is there world.
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There is the falsely mystical view of art that assumes a kind of supernatural inspiration, a possession by universal forces unrelated to questions of power and privilege or the artist’s relation to bread and blood. In this view.
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A withdrawal from thinking in terms of social and collective values, needs and solutions. The consciousness-raising groups of the women’s movement, for instance, becoming “support-groups” or therapy groups.
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A huge breast, an avid cave; between her legs snakes, swamp-grass, or teeth; on her lap a helpless infant or a martyred son. She exists for one purpose: to bear and nourish the son.
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I am uncomfortable with talking of poetry as a priestly profession, because I have little use for organized religions and priestly hierarchies. They have demoralized, persecuted, so many, including women, gays, non-believers.
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Even the most angry, even the darkest, even the most grief-stricken, and even the most embittered art has that element somewhere behind it. Because how could you be so despairing, so embittered, if you had not had something you loved that you lost?
ADRIENNE RICH