“For me, I really appreciate seeing real bodies on screen, that variation, not the same frames we saw for the majority of our upbringing, making us feel like we have to look that way.”

The fact that I’ve been nominated for a BAFTA is insane.

If people are noticing the hard work I’m doing, then that’s a wonderful thing.

I used to reenact ‘Titanic’ all the time.

In ‘Fighting With My Family,’ there’s a scene where I have to wrestle; I have to do the famous fight between Paige and AJ Lee.

There was one moment when I was in L.A., and he was teaching me a move. I just looked at him, thinking, ‘Oh my God, I’m being taught to wrestle by Dwayne Johnson. What the hell?’

Amazing, obviously. She’s been my idol since I re-enacted ‘Titanic’ and fell in love with Leo. And it’s a privilege to be called the next anything. But I suppose to be the next you is all you can do.

I grew up in a very loud family where you had to fight to get your voice heard, in a good way.

What we don’t realise when we watch a normal film is how many times someone has run in just before a shot quickly to wipe away that sweaty moustache.

Wearing a corset is extremely uncomfortable.

That, for me, actually is the most important thing about doing a period film is trying to make these people as lovable as they are back then.

As beautiful as cinema is, it’s a massive part of the problem of why we look at ourselves in the way we do.

I think there’s always some good reason to try and modernize most period things, because at the end of the day, they may have,

If you look at it, the corset is a very beautiful item, but when I put one on, I realized how little you could actually move.

During the Me Too breakthrough, I was hanging out with Emma Thompson and Emily Watson – two people I’ve looked up to my entire life. Talking to those women was so empowering.

The Falling’ was a big, flashy, bizarre experience. I kept on saying at the time it was a fluke because I did the audition, and I didn’t think anything would come of it.

I think it’s good to not edit your life too much, or you give people different standards.

The truth of our bodies and our minds has been mystified to us. We therefore have primary obligation to each other: not to undermine each other’s sense of reality for the sake of expediency; not to gaslight each other.

In order to live a fully human life we require not only control of our bodies (though control is a prerequisite); we must touch the unity and resonance of our physicality, our bond with the natural order, the corporeal grounds of our intelligence.

The repossession by women of our bodies will bring far more essential change to human society than the seizing of the means of production by workers.

A knowledge that is subliminal, subversive, preverbal: the knowledge flowing between two alike bodies, one of which has spent nine months inside the other.

But before we were mothers, we have been, first of all, women, with actual bodies and actual minds.

Probably there is nothing in human nature more resonant with charges than the flow of energy between two biologically alike bodies, one of which has lain in amniotic bliss inside the other, one of which has labored to give birth to the other.

As they see our garments when they look upon our bodies.

Iran hangs people and leaves their bodies hanging on cranes.