The suppressed lesbian I had been carrying in me since adolescence began to stretch her limbs.
ADRIENNE RICHIn the States, there has been, compared to the Sixties and Seventies, a huge retrenchment – not just in poetry – into the personal.
More Adrienne Rich Quotes
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The materials are here for the deepest mutuality and the most painful estrangement.
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When we look closely, or when we become weavers, we learn of the tiny multiple threads unseen in the overall pattern, the knots on the underside of the carpet
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“Support” groups for every kind of human condition, where, in the clichés of that milieu, people “share” and “heal,” the question, “What for?”, “What now?” is no longer asked.
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I cannot speak for you. Two thoughts: there is no liberation that only knows how to say ‘I’; there is no collective movement that speaks for each of us all the way through.
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To “see the light” too often has meant rejecting the treasures found in darkness.
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If, as women, we accept a philosophy of history that asserts that women are by definition assimilated into the male universal,that we can understand our past through a male lens.
ADRIENNE RICH -
There is, clearly, both enormous hunger for the work thus being diffused, and an explosion of creative energy, bursting through the coercive choicelessness of the system on whose boundaries we are working.
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What I’m finding is that in our increasingly dysfunctional U.S. society, marvelous poetry is being written – out of and amid the dysfunction.
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Re-vision – the act of looking back, of seeing with fresh eyes, of entering an old text from a new critical direction – is for woman more than a chapter in cultural history: it is an act of survival.
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War is an absolute failure of imagination, scientific and political.
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It is as though the risks of the poet’s existence can be put to some use beyond her own survival.
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Lies are usually attempts to make everything simpler – for the liar – than it really is, or ought to be.
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Even the most angry, even the darkest, even the most grief-stricken, and even the most embittered art has that element somewhere behind it. Because how could you be so despairing, so embittered, if you had not had something you loved that you lost?
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To do something very common, in my own way.
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Language is as real, as tangible, in our lives as streets, pipelines, telephone switchboards, microwaves, radioactivity, cloning laboratories, nuclear power stations.
ADRIENNE RICH