“Being in the audience actually looks like quite a lot of fun.”

No one is out to break your heart, it only seems that way.

Out of all those millions and millions of planets floating around there in space, this is our planet, this is our little one, so we just got to be aware of it and take care of it.

We live in hope of deliverance from the darkness that surrounds us.

Why would I retire? Sit at home and watch TV? No thanks. I’d rather be out playing.

Sometimes you write a song in a certain era and it’s got a certain kind of significance.

To get a big hit single you’ve got to go a bit dance. You’ve got to go a bit Britney. I don’t think I can do that – well, I could but it wouldn’t look very seemly!.

Painting is similar to music. You get a couple or words or notes or chords that excite you, and you just follow them and add a bit more and see where it takes you. That’s the thrill for me. It still is a thrill, which is amazing after all this time.

Transcendental Meditation gives me an island of calm in the midst of so much turbulence.

Sadness isn’t sadness. It’s happiness in a black jacket. Tears are not tears. They’re balls of laughter dipped in salt. Death is not death. It’s life that’s jumped off a tall cliff.

You can judge a man’s true character by the way he treats his fellow animals.

None of us wanted to be the bass player. In our minds he was the fat guy who always played at the back.

I realized marvelling at nature was a deep pleasure of mine.

The thing you must remember is that I’m the Number One John Lennon fan. I love him to this day and I always did love him

So, if I’m cooking, I’ll be steaming vegetables, making some nice salad, that kind of stuff.

Look, people are allowed their own opinions and they don’t always coincide with yours. As an artist you just have to keep plugging on.

I’ve got to admit it’s getting better. It’s a little better all the time.

When you perform with a live audience, the audience comes back to you.

How can you get bored if the audience is cheering and laughing at something you’re doing?

Yet often, they know but just don’t care. So the task of serious journalism isn’t just to lay out truths. It is to make vital truths compelling to a big audience.

Or try out what I learned and see how it worked with an audience, because where are you gonna get an audience?

So that you and the audience are giving to each other, in a sense. It’s an extraordinary thing. It’s wild turf up there.

[Salomaybe] is my presentation, my vision of the world. Not so much to satisfy the audience at large.

I did it in Looking for Richard, too. And I figure, if I can weave it into the actual play and get the audience interested, like the robes going up and down, they’ll pay attention long enough to consume it.

Is it possible to do something that that makes an audience uncomfortable, challenges them, makes them see things they’re not used to?