“[Salomaybe] is my presentation, my vision of the world. Not so much to satisfy the audience at large.”

That’s where humour lives for me. In the body. The Steve Martin kind of stuff or Jim Carrey, that’s what I like. I’ve always felt that’s what I would like to do.

When [Julia Marie Pacino] was 5 or 6 years old, we were in an Italian restaurant, and these people came by the table and they would start talking to me, asking me for my autograph and she just went under the table.

I was watching Revolution, and the things I did in that picture, holy smokes! I can’t believe I did that, it’s like another person. It’s the thought of it, it’s just appalling to me.

I understand the directors much more. I was always rebelling against them when I was a youngster, I didn’t want to be told what to do. I had no identification.

Shakespeare’s plays are more violent than ‘Scarface.’

The only thing in this world that gives orders is balls.

Many years ago, in the late ’70s, I toured colleges along the East Coast and I presented a kind of show where I got a lot of books and poetry and pieces of [William] Shakespeare and other writers that I admire.

The actor becomes an emotional athlete.

I’m more comfortable in a play. In film, there’s always a certain sense of control, of holding back.

Sometimes you feel critics are wrong all the time, but I don ‘t take objection to it, because that’s the way it goes. They can be wrong, they can be right. They can be cruel, they can be kind.

When you perform with a live audience, the audience comes back to you.

Really, I didn’t know my dad very well. He and my mother split up after the war. I was raised by my maternal grandmother and grandfather, and by my mother.

I try to get some friends together and read a script aloud. Sometimes I read scripts and record them and play them back to see if there’s a movie.

If you can identify with people, you can empathize with people and therefore you understand things.

Sometimes the only way you can get an audience is at an audition.

The reasons you have for doing a movie will vary with the way your life is going. There was a time when a made a some movies because I felt I needed to work.

To be in love is to see yourself as someone else sees you, it is to be in love with the falsified and exalted image of yourself. In love we are incapable of honor – the courageous act is no more than playing a part to an audience of two.

The audience’s reactions are more important: if people believe in the love story, it’s because they love how we’ve acted. That’s the most beautiful award. It’s very important for me, people appreciating what I do.

People en masse have always been wonderful to me. I truly have a great love for an audience. I want to give them two hours of just pow.

Audiences have kept me alive.

We want our sound to go into the soul of the audience, and see if it can awaken some little thing in their minds. ‘Cause there are so many sleeping people.

I’ve been in love with audiences all my life, and I’ve tried to please. I hope I did.

I truly have a great love for an audience, and I used to want to prove it to them by giving them blood.

What I appreciate is acknowledging to the audience that I think they have brains.