Especially for people of our generation, who really celebrated certain attitudes – the outsider.
ADRIAN TOMINE“What you do for a living?” It used to be easier just to tell people that I was a magazine illustrator than try to explain that I did comics.
More Adrian Tomine Quotes
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Look, there’s no denying that comics have moved dramatically into the mainstream in North American culture in the last 10 years.
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But not the kind of comics that they were used to, and no, it’s not pornography, etc.
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For me, like, the more interesting a letter is I just get more excited and I know that this going to be great for my friends who are looking forward to reading that in my comic.
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But my impression is that the main impediment to progress in that regard is the number of people who are choosing to make a go of it.
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It’s psychologically a weird experience to be so aware of the fact that the real time of your life is moving much faster than the fictional time you’re trying to depict.
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I’m getting to a point in my life where my whole attitude about the relationship between myself and the audience is totally different.
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I do think it’s getting more and more rare in this country to raise a kid with the attitude that creativity is something valuable.
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That partially due to the world of media and commerce, the idea of a comic book has been lost in the ghetto.
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The experience of reading a comic should not be the time it takes to turn each page.
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I think in terms of getting new artists who are not in that sort of stereotypical teenage boy demographic.
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The idea of trying to make the effort to produce something, to put something out into the world, rather than just taking in all the stuff the world’s putting out at you.
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Underground and alternative comics existed in a vacuum for years, where money really wasn’t an issue.
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For a stretch of time, I got really caught up in the idea that what people liked about my work was that I was a young guy.
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I’m also probably one of the few remaining holdouts who hasn’t consented to making the e-book versions of all my work, which is annoying to some of my publishers.
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And with this sort of increased visibility, there’s more money going around in the industry, and it changes a lot, in terms of who gets into the business as a creator, who sticks with it, and who gets pushed out.
ADRIAN TOMINE