And infrastructure, on its already tenuous livability, overrides any aesthetic. … Art becomes worthless in a city brutalized by overdevelopment.
ADA LOUISE HUXTABLENo matter what an architect may be at home, he becomes a monumentalist when he comes to Washington.
More Ada Louise Huxtable Quotes
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Real estate is the closest thing to the proverbial pot of gold.
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It supplies a necessary kind of magic to people and places that lack it. More than just a dread of empty spaces has led to the urge to decorate; it is the fear of empty selves.
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That turns the Jersey wasteland into a pretty classy dump.
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No matter what an architect may be at home, he becomes a monumentalist when he comes to Washington.
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The perennial architectural debate has always been, and will continue to be, about art versus use, visions versus pragmatism, aesthetics versus social responsibility.
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New York, thy name is irreverence and hyperbole. And grandeur.
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Real serious waiting is done in waiting rooms, and what they all have in common is their purpose, or purposelessness,
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California … is the place that sets the trends and establishes the values for the rest of the country; like a slow ooze, California culture spreads eastward across the land.
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It is more important than ever that we receive that extra dimension of dignity or delight and the elevated sense of self that the art of building can provide through the nature of the places where we live and work.
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the search for the ultimate skyscraper goes on. … At worst, overbuilding will make urban life unbearable. At best, we will go out in a blaze of style.
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Washington is an endless series of mock palaces clearly built for clerks.
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Surrogate experience and surrogate environments have become the American way of life.
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We want and deserve tin-can architecture in a tinhorn culture. And we will probably be judged not by the monuments we build but by those we have destroyed
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Every generation tailors history to its taste.
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Only a Californian would have observed that it is becoming increasingly difficult to tell the real fake from the fake fake.
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