Every age cuts and pastes history to suit its own purposes; art always has an ax to grind.
ADA LOUISE HUXTABLEIt is the rare architect who does not hope in his heart to design a great building and for whom the quest is not a quiet, consuming passion.
More Ada Louise Huxtable Quotes
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Waiting is a large part of living. Great, passive, negative chunks of our time are consumed by waiting, from birth to death.
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The New York Hilton is laid out with a competence that would make a computer blush.
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Washington is an endless series of mock palaces clearly built for clerks.
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In the end, these unavoidable conflicts provide architecture’s essential and productive tensions; the tragedy is that so little of it rises above the level imposed by compromise, and that this is the only work most of us see and know.
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New York, thy name is irreverence and hyperbole. And grandeur.
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. Any city gets what it admires, will pay for, and, ultimately, deserves. Even when we had Penn Station, we couldn’t afford to keep it clean.
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It supplies a necessary kind of magic to people and places that lack it. More than just a dread of empty spaces has led to the urge to decorate; it is the fear of empty selves.
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It is more important than ever that we receive that extra dimension of dignity or delight and the elevated sense of self that the art of building can provide through the nature of the places where we live and work.
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There are two kinds of people in the world – those who have a horror of a vacuum and those with a horror of the things that fill it. Translated into domestic interiors, this means people who live with, and without, clutter.
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We want and deserve tin-can architecture in a tinhorn culture. And we will probably be judged not by the monuments we build but by those we have destroyed
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It is the rare architect who does not hope in his heart to design a great building and for whom the quest is not a quiet, consuming passion.
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There are few violations of this taste, and there is exemplary architectural consistency. Paris has defined the aesthetics of a sophisticated urban culture.
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A disaster where marble has been substituted for imagination.
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Postmodernism is a freewheeling, unfettered, and unapologetic pursuit of style.
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If you will; they are places for doing nothing and they have no life of their own. … their one constant is what might be called a decorative rigor mortis.
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If the British are a nation of shopkeepers, Americans are a nation of shoppers.
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Every generation tailors history to its taste.
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The perennial architectural debate has always been, and will continue to be, about art versus use, visions versus pragmatism, aesthetics versus social responsibility.
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The age of Lincoln and Jefferson memorials is over. It will be presidential libraries from now on.
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Good architecture is still the difficult, conscientious, creative, expressive planning for that elusive synthesis that is a near-contradiction in terms: efficiency and beauty.
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In Paris style is everything. That is traditionally understood. Every street, every structure, every shopgirl has style.
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Nothing was more up-to-date when it was built, or is more obsolete today, than the railroad station.
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Today, when so much seems to conspire to reduce life and feeling to the most deprived and demeaning bottom line,
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The art of decoration requires the most sophisticated and self-indulgent skills. Its aim has always been to sate the senses as gloriously as possible. … ornament is not only a source of sensuous pleasure
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Only a Californian would have observed that it is becoming increasingly difficult to tell the real fake from the fake fake.
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And infrastructure, on its already tenuous livability, overrides any aesthetic. … Art becomes worthless in a city brutalized by overdevelopment.
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