I was mentioning with the digital camera, maybe this new fashion of filmmaking gives a closer look of what life may be like. But it’s still nothing but a copy.
ABBAS KIAROSTAMII’m not sure that my films show the reality of life in Iran; we show different aspects of life. Iran is a very extensive and expansive place, and sometimes, even for us who live there, some of the realities are very hard to comprehend.
More Abbas Kiarostami Quotes
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I never really learned photography.
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The day we run out of petrol is the day Iran will be free.
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I do believe in [Robert] Bresson’s method of creation through omission, not through addition.
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A digital camera does have many advantages and I was a believer that digital video would be a big influence on film-making.
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Unfortunately, cinema critics are very few in America, 400-500 people, but there are more critics of Iran.
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My car is my best friend. My office. My home. My location. I have a very intimate sense when I am in a car with someone next to me. We’re in the most comfortable seats because we’re not facing each other, but sitting side by side.
ABBAS KIAROSTAMI -
I am still very surprised that I managed to make that film [Close Up]. When I actually look back on that film, I really feel that I was not the director but instead just a member of the audience.
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If it does, the fruit will not be as good as it was in its original place. This is a rule of nature. I think if I had left my country, I would be the same as the tree.
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I can only display what I’ve been nurtured with, which is this worldview which has become my view. If I displayed anything different from it in my work, I wouldn’t deserve this heritage.
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Everybody knows that I am not usually patient enough to actually sit down and watch one of my own films from the beginning to the end – I never do.
ABBAS KIAROSTAMI -
The experience of life teaches us that being like someone in love is more real, because everything is uncertain.
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I think violence can never be justified. At the same time, nobody’s culture or beliefs should be insulted, that’s not something I can accept either. But I cannot justify or accept any violence at all.
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I have somewhat lost my enthusiasm in the last years. Mainly because film students using digital video these days have not really produced anything which is more than superficial or simplistic; so I have my doubts.
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I have a picture from the end of the shoot, and in it I have lost all my hair.
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Close-Up is a very particular film in my oeuvre. It’s a film that was made in a very particular way; mainly because I didn’t really have the time to think about how to go about making the film.
ABBAS KIAROSTAMI






