The experience of life teaches us that being like someone in love is more real, because everything is uncertain.
ABBAS KIAROSTAMIAs soon as people enter a theater they must become moron consumers who must be fed information.
More Abbas Kiarostami Quotes
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All the different nations in the world, despite their differences of appearance and religion and language and way of life, still have one thing in common, and that is what’s inside of all of us.
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Whether you consider me a master filmmaker or not, I do it with my intuition and my vision, my experience as a storyteller.
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When I’m in the process of making a movie I’m not thinking about the finished result, and whether people have to see it once or more than once, and what the reaction to it will be. I just make it, and then I live with the consequences.
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Religion works on some people but not on everyone, because it says, ‘Stop thinking and accept what I tell you.’ That’s not valid for people who want to think and reflect.
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With the RED, I didn’t have this impression at all. I felt that it was as heavy as a film camera. Having this great crew, with the DP and his assistants, I found it making as much of an impression as a very big film camera.
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I have received the digital camera as a blessing. It has really changed my life as a filmmaker, because I don’t use my camera anymore as a camera. I don’t feel it as a camera.
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Directors don’t always create, they can also destroy with too many demands.
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Using non-actors has its own rules and really requires that you allow them to do their own thing.
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Having an international voice is not really about whether we speak Persian or any other language.
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The day we run out of petrol is the day Iran will be free.
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You’ve noticed that same joke told by two different people, once works, and the other time doesn’t, simply because how the person edits it. The silences, the pauses, what they neglect, what they emphasize – all of this matters.
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When you take a tree that is rooted in the ground, and transfer it from one place to another, the tree will no longer bear fruit.
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I can only display what I’ve been nurtured with, which is this worldview which has become my view. If I displayed anything different from it in my work, I wouldn’t deserve this heritage.
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While shooting Ten I was sitting in the backseat, but I didn’t interfere. Sometimes, I was following in another car, so I was not even present on the “set”, because I thought they would work better in my absence.
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This was pointed out to me by somebody who referred to the paintings of Rembrandt and his use of light: some elements are highlighted while others are obscured or even pushed back into the dark.
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The digital camera has given me total freedom and a different way of filming.
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In the total darkness, poetry is still there, and it is there for you.
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I would be too selfish if I said everyone should see my movies more than once. To say that would mean I’m just marketing my work!
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If we’re not going to take full advantage of digital, then 35mm is a better medium. Especially for shooting dramas – I have no problem with 35mm.
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I have no advice for anyone on how to live.
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Children are very strong and independent characters and can come up with more interesting things than Marlon Brando, and it’s sometimes very difficult to direct or order them to do something.
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I was mentioning with the digital camera, maybe this new fashion of filmmaking gives a closer look of what life may be like. But it’s still nothing but a copy.
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I think, just as footballers play better at home, maybe film-makers, too, create better at home, even though the rules of football are the same wherever you go.
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The film [Close Up] made itself, to a large extent. The characters involved were very real, I wasn’t directing the actors so much as being directed by them. So it was a very particular film.
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My way of expression is full of complications and mystery because that’s my perception of life.
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I really enjoy listening to stories. I remember them and keep them in my mind.
ABBAS KIAROSTAMI