You can’t overthink the music. Mood and intensity can’t be manufactured. The blues isn’t about structure; it’s what you bring to it. The spontaneity of capturing a specific moment is what drives it.
The element of change has been the thing, really. We put out the first one, then the second… then a third LP totally different from them. It’s the reason we were able to keep it together.
The gut-strung guitar, the classical guitar, that is a whole different world on its own. When you think what the guitar can do and what every individual player does with a guitar, everyone has their own identity coming through the guitar.
I deal in emotions. It’s the harmonic side that’s important. That’s the side I expected to be much further along on than I am now. That just means to say that I’ve got to keep at it.
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