I think it was ‘The Diary of Alicia Keys’. That was the first time album I ever bought with my own money. I had a little Discman.
BRENT FAIYAZI used to think that there was a certain way I had to stick to when it came to R&B, but now I’m saying whatever, the same way these rappers do. I’m bringing that into R&B music.
More Brent Faiyaz Quotes
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In order for people to take what you say seriously, they have to know who you are as a person.
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If you tell somebody that you make music they’re all interested. But when you say you rap, they just start rolling their eyes at you. It would’ve taken me a lot longer to get my foot in the door if I’d continued rapping all the way.
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I started off making beats when I was like 12. Then when I linked with people who make beats full time, I was like, ‘Bet, now I can focus on writing and singing.’
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I think if you’re an interesting person, you don’t have to cloud yourself in mystery for people to want to know more about you.
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I want to put my soul into the music and still be who I am when it comes to an actual conversation.
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I still got bars, I just use ’em differently. I’d say I’m a better singer than I am a rapper at this point because I’ve been sharpening my sword.
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I got a dog and am trying to elevate. I’m working out, eating healthier, reading books. Making ‘Make it Out Alive’ is going to be a reflection of all of that.
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We’re products of this world we were born into. We all battle our own demons. Everyone is troubled in the dark, but, please just stop & think about the babies. They’re gonna be here long after we leave.
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Rapping was kind of hard. It’s so many words. When you sing you can kind of stretch the words out. I didn’t have to write as much as everybody else.
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I’d prefer for people to know that they’re going to get some substance when they listen to my music versus hearing the same ‘Oooh baby, I love you.’
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In 2018, nothing is sacred. Everyone is everywhere and knows everybody. I don’t text too personal because somebody might screenshot it and share it.
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I probably talk to myself more than I talk to anyone.
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Sonder is the realization that every individual passerby has their own life just as vivid and complex as yours.
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I want to own my masters. That’s the main thing–owning all my music.
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The first couple of times I went out and heard my voice or heard people listening when I wasn’t the one playing it for them, it felt good.
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I work while I’m on the move, so I’m able to book sessions in different cities.
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If you can look in the mirror and say I love myself, that’s going to affect your interactions with people who look like you.
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I feel you gotta be nervous. If you’re nervous, it’s just ’cause you want to do well, it’s not ’cause you’re scared.
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As cliche as it sounds, don’t stop. I feel like so often people will have talent or have potential, and they’ll quit because they don’t get anywhere as soon as they want to.
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I know when it comes to the actual narrative of my solo music, it’s its own thing. That’s why I went out of my way after ‘Crew’ to not do a bunch of collaborations.
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If I’m being honest, I was messing up on every other level in my life growing up – whether it was in school or in my jobs. I was always distracted by my love for music.
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I’ve always felt like I was observing everything, like I’m just looking out of the window, peeping how everybody is living and just penning about it, so I made the album about that concept.
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With the Sonder music, I pull a lot from what’s around me.
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I was reading Neil Postman’s ‘Amusing Ourselves to Death’. It’s one of my favourites.
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Being old didn’t seem like an accomplishment. Everyone I knew who was old was like sick or broke. It just didn’t look appealing until I moved to L.A. and started interacting with people who were 50+ and still kicking it, having money, living large.
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I feel like any way you can get the message to resonate, I’m all for it.
BRENT FAIYAZ