People don’t come to see a Billie Eilish show to come to see me. They come to see her. So I just try not to screw up too much on my instruments.
FINNEASThe amount of times I’ve been told something by artists I’m working with, which I’m sure they haven’t told even their significant other or families, is shocking.
More Finneas Quotes
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You go to a truck stop and there are key chains with names on them, and there’s no Finneas. There’s no Billie. They’re little things, but as a kid, you just feel weirdly ostracized.
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What I really didn’t want to do is work with other people and have them go, ‘Oh, Finneas just does that sound for everybody.’ The Billie sound is only Billie – I’ll only do that for her.
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I’ve learned a lot from my mom and my dad. I learn a lot every time I watch Billie perform.
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I love pop songs so much and I don’t put a ton of pressure on myself as a solo artist to always write the most commercial feeling thing, I just want to write things I would love to listen to.
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I came to NAMM once and saw this guitar that self-tuned, and I thought, ‘Wow, this is the future!’ And I’ve never seen it again.
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It’s important to recognize when a song remains important to you.
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I feel like a lot of music producers have, like, the same toolbox. And I think, like, to me, as a producer, like, I want something to set my stuff apart.
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Imagine if somebody was like, ‘Who’s the next Timothee Chalamet?’ It’s like, he’s currently Timothee Chalamet.
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I don’t particularly like recording studios, they tend to be lifeless and without any natural light, so I wanted to record wherever we lived. We just don’t want to be bound to a studio to who we’d have to pay untold sums to.
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If I have experienced something in my life, it’s probably going to be written about, and I don’t particularly care if the person I’m writing about wants to be written about.
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The music that I listened to when I was growing up was the most important to me forever.
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We were a very crunchy, sort of hippie-dippy family.
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I think it’s really easy to be the altruistic hero of your own narrative and story.
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When I wrote ‘When the Party’s Over,’ it had a universal quality.
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I don’t analyze songs because I think it will make me a better songwriter, I just do it out of sheer curiosity.
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