“My dreams as a kid were so far below the Grammys, like, maybe selling out a show, or, like, seeing your album on a shelf in an Urban Outfitters… and the Grammys are so far above that. It’s very ridiculous.”

Our mom cooks well, and we cook poorly. We try.

The way that we tried to approach every piece of music is, if the song had a brain, it would be aware of its catalog.

People were like, ‘he’s collaborating with Taylor Swift’ and I was like, ‘I am?’ I think she’s wonderful. Her songwriting has inspired me for years.

You go to a truck stop and there are key chains with names on them, and there’s no Finneas. There’s no Billie. They’re little things, but as a kid, you just feel weirdly ostracized.

I really value just being able to go out and grab a coffee or going to a movie and not have anyone recognize me.

You know, that’s kind of always been our philosophy: not letting the place that we are get in the way of making great music.

Kids have tools to do what I’m doing.

I have always loved Ben Folds, he’s like an idol of mine, a hero of mine.

When I started, I felt that there was this incredible amount of doubt of my ability as a producer.

I think it’s really easy to be the altruistic hero of your own narrative and story.

We were a very crunchy, sort of hippie-dippy family.

I don’t really have any interest in recording at places that are institutionalized for recording.

All my favorite songs ever are love songs. Probably topped by ‘The Luckiest’ by Ben Folds.

I stopped telling people what lyrics meant to them when I saw them tattoo it on them, because it clearly meant much more to them than it ever did to me.

Imagine if somebody was like, ‘Who’s the next Timothee Chalamet?’ It’s like, he’s currently Timothee Chalamet.

It’s important to recognize when a song remains important to you.

I’ve been told I sold 110m albums and singles. If that’s the case, I should’ve come here in a space rocket.

When you work as hard as you can and as much as you can to make your first album, and you don’t make any money, then you change things.

I want to do an album with Steven Seagal.

I knew I was destined to do a solo album, but when I did that first album in 1978, I had no idea it was going to be that well received.

I’ve been following battle rap for a long time. Me and Daylyt are real cool. We battled on my album, he’s on my album. We did a one round battle on my album and that was just me capturing These Days.

There is always a bit of pressure to do a good album – to do good work, period. I really put a lot of pressure on myself, more so than other people. But I try not to let that overwhelm me to the point where I can’t even do good work. I just put it aside and do the best that I know that I can.

It’s really a sad story, and I liked that. The songs on this album talk about relationships in every aspect.

I have the time needed to support the album and tour.