To me, as a producer, I always want something to set stuff apart.
FINNEASTo me, as a producer, I always want something to set stuff apart.
More Finneas Quotes
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I stopped telling people what lyrics meant to them when I saw them tattoo it on them, because it clearly meant much more to them than it ever did to me.
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All the albums that I grew up listening to were produced by one person.
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The music that I listened to when I was growing up was the most important to me forever.
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I think if you’re not trying to change things a little bit, you’re not evolving.
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You know, I grew up very self-taught.
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I’m just obsessed with music I guess.
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I’m not a control freak in that like I boss everybody around, but like a control freak and like, I like knowing exactly what I get to do that day and having a say.
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When I started, I felt that there was this incredible amount of doubt of my ability as a producer.
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I really value just being able to go out and grab a coffee or going to a movie and not have anyone recognize me.
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I’m a bad guitar tuner. I have to pay somebody to tune my guitars.
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When we are making a song for Billie I want it to resonate and speak the truth with her and want it to be a piece of fabric she can wear.
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People don’t come to see a Billie Eilish show to come to see me. They come to see her. So I just try not to screw up too much on my instruments.
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The amount of times I’ve been told something by artists I’m working with, which I’m sure they haven’t told even their significant other or families, is shocking.
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The way that we tried to approach every piece of music is, if the song had a brain, it would be aware of its catalog.
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Imagine if somebody was like, ‘Who’s the next Timothee Chalamet?’ It’s like, he’s currently Timothee Chalamet.
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We wrote and recorded the ‘Bond’ song on a tour bus in Texas.
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I think it’s really easy to be the altruistic hero of your own narrative and story.
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I really always wanted to be an adult. I didn’t really like being an adolescent at all.
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I love pop songs so much and I don’t put a ton of pressure on myself as a solo artist to always write the most commercial feeling thing, I just want to write things I would love to listen to.
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You know, that’s kind of always been our philosophy: not letting the place that we are get in the way of making great music.
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What I really didn’t want to do is work with other people and have them go, ‘Oh, Finneas just does that sound for everybody.’ The Billie sound is only Billie – I’ll only do that for her.
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I feel like the thing that I’ve learned a lot is when you’re involved in something, you don’t always get to appreciate it for what it is as much. You’re focused on the details and how you can make it better. It’s kind of torture.
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I never get tired of writing about love.
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There’s always a better word than a swear word.
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I don’t analyze songs because I think it will make me a better songwriter, I just do it out of sheer curiosity.
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A lot of the time, in pop music especially, there’s reverb. And the reason is that reverb makes vocals sound better 99% of the time. It makes the notes ring out.
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