I had a very positive, wonderful, happy upbringing, and still, for several reasons, I really didn’t enjoy being a child very much. I felt that I had no control over my life and everything seemed scarier and larger than life.
FINNEASI have always loved Ben Folds, he’s like an idol of mine, a hero of mine.
More Finneas Quotes
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I never get tired of writing about love.
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I really always wanted to be an adult. I didn’t really like being an adolescent at all.
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Imagine if somebody was like, ‘Who’s the next Timothee Chalamet?’ It’s like, he’s currently Timothee Chalamet.
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The excuse of having a dog is great, because before I had a dog, I wouldn’t be like, ‘I need to go hike for two hours’; my girlfriend would have been like, ‘What are you doing?’ Now I take the dog, and she comes with me.
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I think we’re always looking for ways to inject a sense of humor into our music.
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The amount of times I’ve been told something by artists I’m working with, which I’m sure they haven’t told even their significant other or families, is shocking.
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A lot of the time, in pop music especially, there’s reverb. And the reason is that reverb makes vocals sound better 99% of the time. It makes the notes ring out.
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If I have experienced something in my life, it’s probably going to be written about, and I don’t particularly care if the person I’m writing about wants to be written about.
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I think it’s really easy to be the altruistic hero of your own narrative and story.
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I’m not a control freak in that like I boss everybody around, but like a control freak and like, I like knowing exactly what I get to do that day and having a say.
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Well, predominately, if I’m writing for another artist, I’m sitting there with them and we’re writing it together.
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When I wrote ‘When the Party’s Over,’ it had a universal quality.
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I have always loved Ben Folds, he’s like an idol of mine, a hero of mine.
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There’s no other person I like working with as much as my sister.
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I think if you’re not trying to change things a little bit, you’re not evolving.
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All the albums that I grew up listening to were produced by one person.
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What I really didn’t want to do is work with other people and have them go, ‘Oh, Finneas just does that sound for everybody.’ The Billie sound is only Billie – I’ll only do that for her.
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If you’re thinking about all the possibilities of your life, there are extreme negatives, which you hope don’t happen, and extreme positives, which you just aren’t willing to think about because you think you’ll jinx it.
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I am not a very superstitious person, but I do believe in mental preparation.
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I came to NAMM once and saw this guitar that self-tuned, and I thought, ‘Wow, this is the future!’ And I’ve never seen it again.
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You go to a truck stop and there are key chains with names on them, and there’s no Finneas. There’s no Billie. They’re little things, but as a kid, you just feel weirdly ostracized.
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I really value just being able to go out and grab a coffee or going to a movie and not have anyone recognize me.
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You know, I grew up very self-taught.
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The music that I listened to when I was growing up was the most important to me forever.
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I feel like the thing that I’ve learned a lot is when you’re involved in something, you don’t always get to appreciate it for what it is as much. You’re focused on the details and how you can make it better. It’s kind of torture.
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Kids have tools to do what I’m doing.
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