The music that I listened to when I was growing up was the most important to me forever.
FINNEASI stopped telling people what lyrics meant to them when I saw them tattoo it on them, because it clearly meant much more to them than it ever did to me.
More Finneas Quotes
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People don’t come to see a Billie Eilish show to come to see me. They come to see her. So I just try not to screw up too much on my instruments.
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Obviously I’m very grateful ‘Bad Guy’ is doing so well – it’s shocking and surprising and gratifying – but I do think it’s important to try to make the next song that people are gonna be excited about.
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When I wrote ‘When the Party’s Over,’ it had a universal quality.
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I had a very positive, wonderful, happy upbringing, and still, for several reasons, I really didn’t enjoy being a child very much. I felt that I had no control over my life and everything seemed scarier and larger than life.
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I feel like a lot of music producers have, like, the same toolbox. And I think, like, to me, as a producer, like, I want something to set my stuff apart.
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If you’re paying attention and you’ve been a good listener, you learn every day.
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I just have no interest in being at a party.
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I’m just obsessed with music I guess.
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For me, I’m going to try to make my favorite song over the most popular song.
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I really value just being able to go out and grab a coffee or going to a movie and not have anyone recognize me.
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Everybody has different taste and everyone’s favourite song is different and that’s great.
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I stopped telling people what lyrics meant to them when I saw them tattoo it on them, because it clearly meant much more to them than it ever did to me.
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I came to NAMM once and saw this guitar that self-tuned, and I thought, ‘Wow, this is the future!’ And I’ve never seen it again.
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I don’t really have any interest in recording at places that are institutionalized for recording.
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The way that we tried to approach every piece of music is, if the song had a brain, it would be aware of its catalog.
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We were a very crunchy, sort of hippie-dippy family.
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When I started, I felt that there was this incredible amount of doubt of my ability as a producer.
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Well, predominately, if I’m writing for another artist, I’m sitting there with them and we’re writing it together.
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You know, that’s kind of always been our philosophy: not letting the place that we are get in the way of making great music.
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All the albums that I grew up listening to were produced by one person.
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We wrote and recorded the ‘Bond’ song on a tour bus in Texas.
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I don’t particularly like recording studios, they tend to be lifeless and without any natural light, so I wanted to record wherever we lived. We just don’t want to be bound to a studio to who we’d have to pay untold sums to.
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As soon as you make anything that people like, you get all these new artists hitting you up like ‘I want to sound just like Billie Eilish.’ And I’m always like, ‘Absolutely not.’
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It’s always important to be checking in with people you love.
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I’m not a control freak in that like I boss everybody around, but like a control freak and like, I like knowing exactly what I get to do that day and having a say.
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Usually, I get bored of my stuff almost immediately.
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