I really value just being able to go out and grab a coffee or going to a movie and not have anyone recognize me.
FINNEASI had a very positive, wonderful, happy upbringing, and still, for several reasons, I really didn’t enjoy being a child very much. I felt that I had no control over my life and everything seemed scarier and larger than life.
More Finneas Quotes
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I have nothing against reverb.
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Obviously I’m very grateful ‘Bad Guy’ is doing so well – it’s shocking and surprising and gratifying – but I do think it’s important to try to make the next song that people are gonna be excited about.
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I stopped telling people what lyrics meant to them when I saw them tattoo it on them, because it clearly meant much more to them than it ever did to me.
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I idolize my kid sister, so I get it. I understand why other people do too.
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I think if you’re not trying to change things a little bit, you’re not evolving.
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All the albums that I grew up listening to were produced by one person.
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I don’t think if you set out to make an album to get a bunch of Grammy nominations… you just have to set out to make an album you’ll really love.
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In my perfect world, I get to be a professional musician and still go to Trader Joe’s.
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I mainly try to foster long-term collaborative relationships.
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Imagine if somebody was like, ‘Who’s the next Timothee Chalamet?’ It’s like, he’s currently Timothee Chalamet.
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I don’t really have any interest in recording at places that are institutionalized for recording.
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When I wrote ‘When the Party’s Over,’ it had a universal quality.
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I don’t particularly like recording studios, they tend to be lifeless and without any natural light, so I wanted to record wherever we lived. We just don’t want to be bound to a studio to who we’d have to pay untold sums to.
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To be honest, I’ve found so many more friends in the music industry than people I disagree with. I certainly haven’t been made to feel like an outsider.
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We were a very crunchy, sort of hippie-dippy family.
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If you need to record live instruments, especially drums, it’s still best to do it in a studio.
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My dreams as a kid were so far below the Grammys, like, maybe selling out a show, or, like, seeing your album on a shelf in an Urban Outfitters… and the Grammys are so far above that. It’s very ridiculous.
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You go to a truck stop and there are key chains with names on them, and there’s no Finneas. There’s no Billie. They’re little things, but as a kid, you just feel weirdly ostracized.
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Love has always been the most important thing to me and the thing by which my life is guided.
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There’s always a better word than a swear word.
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The way that we tried to approach every piece of music is, if the song had a brain, it would be aware of its catalog.
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I was on a TV show called ‘Glee.’ I mean, I was on the real tail end of that show; it was already way past its peak. But still, for me aged 17 landing something like that was a big deal.
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I am just fascinated by music and I want to know how to identify all the things I love about it; to me music theory is like learning another language and then being able to explain how much you love something more clearly.
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I think we’re always looking for ways to inject a sense of humor into our music.
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I’m not a control freak in that like I boss everybody around, but like a control freak and like, I like knowing exactly what I get to do that day and having a say.
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Definitely for me and my sister, wherever we are the most comfortable is where the best music’s going to be made.
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