Memory is quite central for me. Part of it is that I like the actual texture of writing through memory.
KAZUO ISHIGUROMy friends and I took songwriting very, very seriously. My hero was and still is Bob Dylan, but also people like Leonard Cohen and Joni Mitchell and that whole generation.
More Kazuo Ishiguro Quotes
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Indeed — why should I not admit it? — in that moment, my heart was breaking.
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There comes a point when you can more or less count the number of books you’re going to write before you die.
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I try to always go for something very interior, following thoughts and memories, something that I think is difficult to do on the screen, which is essentially a third-person medium.
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The problem, as I see it, is that you’ve been told and not told. You’ve been told, but none of you really understand, and I dare say, some people are quite happy to leave it that way.
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You’re always in a rush, or else you’re too exhausted to have a proper conversation. Soon enough, the long hours, the traveling, the broken sleep have all crept into your being and become part of you, so everyone can see it, in your posture, your gaze, the way you move and talk.
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As with a wound on one’s own body, it is possible to develop an intimacy with the most disturbing of things.
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Typically in my novels the narrator tells a story by remembering, and the memories are colored by this and colored by that. So the whole universe of the novel tends to be framed by the narrator’s memories and thoughts.
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You have to accept that sometimes that’s how things happen in this world. People’s opinions, their feelings, they go one way, then the other. It just so happens you grew up at a certain point in this process.
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I like novelists who can create other interesting worlds.
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There’s still a part of me that thinks I have to write a really good novel. I’m not trying to say I’m not happy with the novels I’ve written in the past. But it always feels to me like there’s another one that I have to write that will really say what I want to say, and really paint this world that I can see hazily in my head.
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People were incredibly kind to our family and went out of their way to help.
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And if these incidents now seem full of significance and all of a piece, it’s probably because I’m looking at them in the light of what came later.
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To see the best before I have properly begun would be somewhat premature.
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I grew up in Britain before it became a multicultural place, so in many ways I have a nostalgia for an England that’s vanished – the England of my childhood has actually disappeared.
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Many of our deepest motives come, not from an adult logic of how things work in the world, but out of something that is frozen from childhood.
KAZUO ISHIGURO