Because maybe, in a way, we didn’t leave it behind nearly as much as we might once have thought. Because somewhere underneath, a part of us stayed like that: fearful of the world around us, and no matter how much we despised ourselves for it–unable quite to let each other go.
KAZUO ISHIGUROThe evening’s the best part of the day. You’ve done your day’s work. Now you can put your feet up and enjoy it.
More Kazuo Ishiguro Quotes
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It is one of the enjoyments of retirement that you are able to drift through the day at your own pace, easy in the knowledge that you have put hard work and achievement behind you.
KAZUO ISHIGURO -
There was another life that I might have had, but I am having this one.
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I think of my pile of old paperbacks, their pages gone wobbly, like they’d once belonged to the sea.
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I felt slightly superior to student politics, for instance. I had no reason to think this, but I thought of myself as slightly more seasoned. I became quite cynical talking to my student friends.
KAZUO ISHIGURO -
We took away your art because we thought it would reveal your souls. Or to put it more finely, we did it to prove you had souls at all.
KAZUO ISHIGURO -
Perhaps one day, all these conflicts will end, and it won’t be because of great statesmen or churches or organisations like this one. It’ll be because people have changed. They’ll be like you, Puffin. More a mixture. So why not become a mongrel? It’s healthy.
KAZUO ISHIGURO -
I think there is a huge difference between writers who have very big sales, and writers who have small sales. Even writers with very high reputations, even Nobel prize winners, often sell in very low figures.
KAZUO ISHIGURO -
You say you’re sure? Sure that you’re in love? How can you know it? You think love is so simple?
KAZUO ISHIGURO -
When you become a parent, or a teacher, you turn into a manager of this whole system. You become the person controlling the bubble of innocence around a child, regulating it.
KAZUO ISHIGURO -
Indeed — why should I not admit it? — in that moment, my heart was breaking.
KAZUO ISHIGURO -
I started as a songwriter and wanted to be like Leonard Cohen. I’ve always seen my stories as enlarged songs.
KAZUO ISHIGURO -
I cannot start a story or chapter without knowing how it ends. Of course, it rarely ends that way.
KAZUO ISHIGURO -
The problem, as I see it, is that you’ve been told and not told. You’ve been told, but none of you really understand, and I dare say, some people are quite happy to leave it that way.
KAZUO ISHIGURO -
I think it’s quite difficult to understand what kind of life a writer leads. They might be millionaires, or they might be starving people.
KAZUO ISHIGURO -
People were incredibly kind to our family and went out of their way to help.
KAZUO ISHIGURO -
The Booker triumph of Graham Swift’s moving, effortlessly profound Last Orders is a vindication of the quiet, much-misunderstood path this fine writer chose to take after the brilliance of Waterland more than ten years ago.
KAZUO ISHIGURO -
All children have to be deceived if they are to grow up without trauma.
KAZUO ISHIGURO -
There is certainly a satisfaction and dignity to be gained in coming to terms with the mistakes one has made in the course of one’s life.
KAZUO ISHIGURO -
There was surely nothing to indicate at the time that such evidently small incidents would render whole dreams forever irredeemable.
KAZUO ISHIGURO -
There’s still a part of me that thinks I have to write a really good novel. I’m not trying to say I’m not happy with the novels I’ve written in the past. But it always feels to me like there’s another one that I have to write that will really say what I want to say, and really paint this world that I can see hazily in my head.
KAZUO ISHIGURO -
There comes a point when you can more or less count the number of books you’re going to write before you die.
KAZUO ISHIGURO -
Now naturally, like many of us, I have a reluctance to change too much of the old ways.
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I can’t even say I made my own mistakes. Really – one has to ask oneself – what dignity is there in that?
KAZUO ISHIGURO -
I try to always go for something very interior, following thoughts and memories, something that I think is difficult to do on the screen, which is essentially a third-person medium.
KAZUO ISHIGURO -
I grew up in Britain before it became a multicultural place, so in many ways I have a nostalgia for an England that’s vanished – the England of my childhood has actually disappeared.
KAZUO ISHIGURO -
Don’t you wonder sometimes, what might have happened if you tried?
KAZUO ISHIGURO