An artist’s concern is to capture beauty wherever he finds it.
KAZUO ISHIGUROThe problem, as I see it, is that you’ve been told and not told. You’ve been told, but none of you really understand, and I dare say, some people are quite happy to leave it that way.
More Kazuo Ishiguro Quotes
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Sometimes I get so immersed in my own company, if I unexpectedly run into someone I know, it’s a bit of a shock and takes me a while to adjust.
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I think there is a huge difference between writers who have very big sales, and writers who have small sales. Even writers with very high reputations, even Nobel prize winners, often sell in very low figures.
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I’ve always had a great fondness for English detective fiction such as Agatha Christie and Dorothy Sayers.
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Now naturally, like many of us, I have a reluctance to change too much of the old ways.
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If you are under the impression you have already perfected yourself, you will never rise to the heights you are no doubt capable of.
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People were incredibly kind to our family and went out of their way to help.
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I grew up in Britain before it became a multicultural place, so in many ways I have a nostalgia for an England that’s vanished – the England of my childhood has actually disappeared.
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I like the fact that by mimicking the way memory works, a writer can actually write in a fluid way – one solid scene doesn’t have to fall on another solid scene, you can just have a fragment that then dovetails into another one that took place 30 years apart from it.
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My friends and I took songwriting very, very seriously. My hero was and still is Bob Dylan, but also people like Leonard Cohen and Joni Mitchell and that whole generation.
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Memory, I realize, can be an unreliable thing; often it is heavily coloured by the circumstances in which one remembers.
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And I’m a Hailsham student – which is enough by itself sometimes to get people’s backs up.
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As a writer, I’m more interested in what people tell themselves happened rather than what actually happened.
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There was another life that I might have had, but I am having this one.
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I want my words to survive translation.
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You say you’re sure? Sure that you’re in love? How can you know it? You think love is so simple?
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There are things I am more interested in than the clone thing. How are they trying to find their place in the world and make sense of their lives? To what extent can they transcend their fate? As time starts to run out, what are the things that really matter?
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I think I had actually served my apprenticeship as a writer of fiction by writing all those songs. I had already been through phases of autobiographical or experimental stuff.
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I felt slightly superior to student politics, for instance. I had no reason to think this, but I thought of myself as slightly more seasoned. I became quite cynical talking to my student friends.
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After all, what can we ever gain in forever looking back and blaming ourselves if our lives have not turned out quite as we might have wished?
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But then, I suppose, when with the benefit of hindsight one begins to search one’s past for such ‘turning points’, one is apt to start seeing them everywhere.
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I can’t even say I made my own mistakes. Really – one has to ask oneself – what dignity is there in that?
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And if these incidents now seem full of significance and all of a piece, it’s probably because I’m looking at them in the light of what came later.
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It had never occurred to me that our lives, which had been so closely interwoven, could unravel with such speed.
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What is pertinent is the calmness of beauty, its sense of restraint. It is as though the land knows of its own beauty, its own greatness, and feels no need to shout it.
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There is certainly a satisfaction and dignity to be gained in coming to terms with the mistakes one has made in the course of one’s life.
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Perhaps one day, all these conflicts will end, and it won’t be because of great statesmen or churches or organisations like this one. It’ll be because people have changed. They’ll be like you, Puffin. More a mixture. So why not become a mongrel? It’s healthy.
KAZUO ISHIGURO