“I’m an optimistic guy. I’m one of those big dreamers. I’m one of those kids with that annoying imagination.”

The thing is, I make music I like. So it’s just weird if someone says they don’t like it.

I tweet early in the morning when I wake up or late at night just to let you know that I have a show or what’s on my mind, and that’s it. I hate Snapchat and all of that. It’s making kids so stupid.

Usually, when I’m rappin’, I’m creating a big story or a concept song that sounds like a movie to me.

I’m hungry for VMAs and Grammys. That’s my main goal.

I’m a big ‘Goosebumps’ fan – ‘Revenge of the Lawn Gnomes.’ My favorites are the pick-your-own-death ones.

I’m a pretty nice dude. I have fun, and people take it the wrong way.

I want to make as much money as I possibly can so that when my day comes, my mother and sister is fine. My close friends are fine. They don’t have to worry about anything ever again.

Rap is really just too conventional. Everybody does the same thing. No one ever pushes the box.

If the world was ending, I think I would grab some Cinnamon Toast Crunch, a bunch of water, and I’d probably just I’d probably go crazy.

My lyrics aren’t offensive. Some people find everything offensive.

I think, if I had a dad, I would have went the normal college route. I’m so stoked my life panned out how it was.

I like my raps, but I’m never too happy with some of ’em because I feel like they could be better.

I want to take Justin Bieber for a month and just lock him up in a cage where we sit and make music. He’s one of the most successful people in the world, but his music could be so much tighter.

I want to do films and have my name mentioned next to Wes Anderson and Quentin Tarantino. I don’t want my name mentioned next to other rappers at all.

I think I’m cool. That’s all that matters.

For the record, I don’t worship the devil. I just hate religion.

I wasn’t really a big comic book guy, growing up. I watched cartoons, but the choices were a whole heck of a lot slimmer.

And we’re always talking to the directors about that. It’s a big challenge to find people that can do it.

But you need them to also have that sense of fun and that sense of movement and that ability to get the actors to really respond to the material in the way that you want them to. It’s a very big thing.

And we make quite a big thing about that. I won’t give too much away.

The point of my work is to make it clear that all youth can make ‘big miracles’ happen.

A big book is a big misfortune.

Big book, a big bore.

There is no shame in wanting to heal. It is a chance to rebuild yourself, bigger and better than before.