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My father was a creature of the archaic world, really. He would have been entirely at home in a Gaelic hill-fort. His side of the family, and the houses I associate with his side of the family, belonged to a traditional rural Ireland.

Seamus Heaney

I always believed that whatever had to be written would somehow get itself written.
SEAMUS HEANEY

Believe Myself Writing
Sonnet is about movement in a form.
SEAMUS HEANEY

Form Movement One Liner
My point is there’s a hidden Scotland in anyone who speaks the Northern Ireland speech. It’s a terrific complicating factor, not just in Northern Ireland, but Ireland generally.
SEAMUS HEANEY

Complication Factor Myself Point Talk
Even if the last move did not succeed, the inner command says move again.
SEAMUS HEANEY

Command Move Success
I’m not personally obsessed with death. At a certain age, the light that you live in is inhabited by the shades – it ’tis.
SEAMUS HEANEY

Death Light Myself Obsession Personally
I think the first little jolt I got was reading Gerard Manley Hopkins – I liked other poems… but Hopkins was kind of electric for me – he changed the rules with speech, and the whole intensity of the language was there and so on.
SEAMUS HEANEY

Intense Language Myself Poem Reading Talk Thinking
We go to poetry, we go to literature in general, to be forwarded within ourselves.
SEAMUS HEANEY

Literature Ourselves Poetry
It’s difficult to learn poems off by heart that don’t rhyme.
SEAMUS HEANEY

Difficult Heart Learning Rhyme
Dylan Thomas is now as much a case history as a chapter in the history of poetry.
SEAMUS HEANEY

Case Chapter History Poetry
If you go into an underground train in London – probably anywhere, but chiefly in London – there’s that sense of almost entering a ghostly dimension. People are very still and quiet; they don’t exchange many pleasantries.
SEAMUS HEANEY

Dimension Ghost People Pleasant Quiet Training Yourself
In my early teens, I acquired a kind of representative status: went on behalf of the family to wakes and funerals and so on. And I would be counted on as an adult contributor when it came to farm work – the hay in the summertime, for example.
SEAMUS HEANEY

Family Farm Funeral Kind Representation Work
One doesn’t want one’s identity coerced.
SEAMUS HEANEY

Identity Oneself
A person from Northern Ireland is naturally cautious.
SEAMUS HEANEY

Caution Natural Person
The group of writers I had grown up with in the ’60s – Derek Mahon, Michael Longley, James Simmons, John Hewitt, Paul Muldoon – formed a very necessary and self-sustaining group.
SEAMUS HEANEY

Group Necessary Sustainable Writing
The fact of the matter is that the most unexpected and miraculous thing in my life was the arrival in it of poetry itself – as a vocation and an elevation almost.
SEAMUS HEANEY

Arrival Fact Life Miracle Myself Poetry
Nowadays, what an award gives is a sense of solidarity with the poetry guild, as it were: sustenance coming from the assent of your peers on the judging panel.
SEAMUS HEANEY

Award Judgement Panel Poetry Solidarity Yourself

My father was a creature of the archaic world, really. He would have been entirely at home in a Gaelic hill-fort. His side of the family, and the houses I associate with his side of the family, belonged to a traditional rural Ireland.

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My father was a creature of the archaic world, really. He would have been entirely at home in a Gaelic hill-fort. His side of the family, and the houses I associate with his side of the family, belonged to a traditional rural Ireland.

Related Topics

Popular Authors

More Seamus Heaney Quotes