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In my early teens, I acquired a kind of representative status: went on behalf of the family to wakes and funerals and so on. And I would be counted on as an adult contributor when it came to farm work – the hay in the summertime, for example.

Seamus Heaney

The amount of sensory material stored up or stored down in the brain’s and the body’s systems is inestimable. It’s like a culture at the bottom of a jar, although it doesn’t grow, I think, or help anything else to grow unless you find a way to reach it and touch it.
SEAMUS HEANEY

Amount Culture Growth Help Material Myself System Thinking
The experimental poetry thing is not my thing. It’s a programme of the avant-garde: basically a refusal of the kind of poetry I write.
SEAMUS HEANEY

Experiment Kind Myself Poetry Programme Writing
I think that water is immediately interesting. It’s just, as an element, it is full of life. It is associated with origin; it is bright – it reflects you.
SEAMUS HEANEY

Bright Interesting Life Myself Reflection Thinking Water
One of the best descriptions of the type of writer I am was given by Tom Paulin, who described himself as a ‘binge’ writer – like a binge drinker. I go on binges.
SEAMUS HEANEY

Best Description Himself Myself Writing
You yourself don’t have to be shaken by mortal danger in order to feel your mortality.
SEAMUS HEANEY

Dangerous Feeling Mortal Order Yourself
Sonnet is about movement in a form.
SEAMUS HEANEY

Form Movement One Liner
Poetry is more a threshold than a path.
SEAMUS HEANEY

One Liner Path Poetry
The faking of feelings is a sin against the imagination.
SEAMUS HEANEY

Deep Fake Feeling Imagination Sin
Tom Sleigh’s poetry is hard-earned and well founded. I great admire the way it refuses to cut emotional corners and yet achieves a sense of lyric absolution.
SEAMUS HEANEY

Absolute Admire Greatness Lyrics Poetry
In poetry, everything can be faked but the intensity of utterance.
SEAMUS HEANEY

Fake Intense Poetry Utter
In my early teens, I acquired a kind of representative status: went on behalf of the family to wakes and funerals and so on. And I would be counted on as an adult contributor when it came to farm work – the hay in the summertime, for example.
SEAMUS HEANEY

Family Farm Funeral Kind Representation Work
I always had a superstitious fear of setting up a too well-designed writing place and then finding that the writing had absconded.
SEAMUS HEANEY

Design Fear Finding Myself Place Superstition Writing
Anybody serious about poetry knows how hard it is to achieve anything worthwhile in it.
SEAMUS HEANEY

Achievement Hard Poetry Serious Worth
But that citizen’s perception was also at one with the truth in recognizing that the very brutality of the means by which the IRA were pursuing change was destructive of the trust upon which new possibilities would have to be based.
SEAMUS HEANEY

Brutal Change Citizenship Destruction Perception Possible Pursue Recognition
In Northern Ireland, helicopters are not usually used to promote poetry.
SEAMUS HEANEY

Poetry Promotion
The completely solitary self: that’s where poetry comes from, and it gets isolated by crisis, and those crises are often very intimate also.
SEAMUS HEANEY

Complete Crisis Intimate Isolation Poetry

In my early teens, I acquired a kind of representative status: went on behalf of the family to wakes and funerals and so on. And I would be counted on as an adult contributor when it came to farm work – the hay in the summertime, for example.

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In my early teens, I acquired a kind of representative status: went on behalf of the family to wakes and funerals and so on. And I would be counted on as an adult contributor when it came to farm work – the hay in the summertime, for example.

Related Topics

Popular Authors

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