This endured absence is nothing more or less than forgetfulness. I am, intermittently, unfaithful. This is the condition of my survival.
ROLAND BARTHESTo try to write love is to confront the muck of language: that region of hysteria where language is both too much and too little, excessive and impoverished.
More Roland Barthes Quotes
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In an initial period, Photography, in order to surprise, photographs the notable; but soon, by a familiar reversal, it decrees notable whatever it photographs. The ‘anything whatever’ then becomes the sophisticated acme of value.
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One must turn the tongue seven times in the mouth before speaking.
ROLAND BARTHES -
Why is it better to last than to burn?
ROLAND BARTHES -
I love you is unsubtle. It removes explanations, facilities, degrees, scruples.
ROLAND BARTHES -
Man does not exist prior to language, either as a species or as an individual.
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Language is a skin: I rub my language against the other. It is as if I had words instead of fingers, or fingers at the tip of my words. My language trembles with desire.
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If I acknowledge my dependency, I do so because for me it is a means of signifying my demand: in the realm of love, futility is not a “weakness” or an “absurdity”: it is a strong sign: the more futile, the more it signifies and the more it asserts itself as strength.)
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We know that the war against intelligence is always waged in the name of common sense.
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I have tried to be as eclectic as I possibly can with my professional life, and so far it’s been pretty fun.
ROLAND BARTHES -
Through the mythology of Einstein, the world blissfully regained the image of knowledge reduced to a formula.
ROLAND BARTHES -
Television doomed us to the Family, whose household instrument it has become-what the hearth used to be, flanked by the communal kettle.
ROLAND BARTHES -
In front of the photograph of my mother as a child, I tell myself: she is going to die: I shudder, like winnicott’s psychotic patient, over a catastrophe which has already occurred. Whether or not the subject is already dead, every photograph is this catastrophe.
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Painting can feign reality without having seen it.
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As Spectator I wanted to explore photography not as a question (a theme) but as a wound.
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If I had to create a god, I would lend him a “slow understanding”: a kind of drip-by-drip understanding of problems. People who understand quickly frighten me.
ROLAND BARTHES