We don’t forget, but something vacant settles in us.
ROLAND BARTHESIf I had to create a god, I would lend him a “slow understanding”: a kind of drip-by-drip understanding of problems. People who understand quickly frighten me.
More Roland Barthes Quotes
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The new is not a fashion, it is a value.
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A light without shadow generates an emotion without reserve.
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Wine is a part of society because it provides a basis not only for a morality but also for an environment; it is an ornament in the slightest ceremonials of French daily life, from the snack to the feast, from the conversation at the local cafT to the speech at a formal dinner.
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Television doomed us to the Family, whose household instrument it has become-what the hearth used to be, flanked by the communal kettle.
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Language is neither reactionary nor progressive; it is quite simply fascist; for fascism does not prevent speech, it compels speech.
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Don’t say mourning. It’s too psychoanalytic. I’m not mourning. I’m suffering.
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The art of living has no history: it does not evolve: the pleasure which vanishes vanishes for good, there is no substitute for it. Other pleasures come, which replace nothing. No progress in pleasures, nothing but mutations.
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The birth of the reader must be at the cost of the death of the Author.
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To make someone wait: the constant prerogative of all power.
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I love you is unsubtle. It removes explanations, facilities, degrees, scruples.
ROLAND BARTHES -
We can never know, for the good reason that writing is the destruction of every voice, every origin. Writing is that neuter, that composite, that obliquity into which our subject flees, the black-and-white where all identity is lost, beginning with the very identity of the body that writes.
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A paradox: the same century invented history and photography. But history is a memory fabricated according to positive formulas, a pure intellectual discourse which abolishes mythic time; and the photograph is a certain but fugitive testimony.
ROLAND BARTHES -
The photographic image is a message without a code.
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Language is legislation, speech is its code. We do not see the power which is in speech because we forget that all speech is a classification, and that all classifications are oppressive.
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The lover’s fatal identity is precisely this: I am the one who waits.
ROLAND BARTHES






