Painting can feign reality without having seen it.
ROLAND BARTHESMyth is neither a lie nor a confession: it is an inflexion.
More Roland Barthes Quotes
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Man does not exist prior to language, either as a species or as an individual.
ROLAND BARTHES -
Language is neither reactionary nor progressive; it is quite simply fascist; for fascism does not prevent speech, it compels speech.
ROLAND BARTHES -
Language is a skin: I rub my language against the other. It is as if I had words instead of fingers, or fingers at the tip of my words. My language trembles with desire.
ROLAND BARTHES -
The author enters into his own death, writing begins.
ROLAND BARTHES -
To whom could I put this question (with any hope of an answer)? Does being able to live without someone you loved mean you loved her less than you thought?
ROLAND BARTHES -
I make the other’s absence responsible for my worldliness.
ROLAND BARTHES -
This endured absence is nothing more or less than forgetfulness. I am, intermittently, unfaithful. This is the condition of my survival.
ROLAND BARTHES -
To know that one does not write for the other, to know that these things I am going to write will never cause me to be loved by the one I love (the other), to know that writing compensates for nothing, sublimates nothing, that it is precisely there where you are not–this is the beginning of writing.
ROLAND BARTHES -
We know that the war against intelligence is always waged in the name of common sense.
ROLAND BARTHES -
I cannot classify the other, for the other is, precisely, Unique, the singular Image which has miraculously come to correspond to the speciality of my desire. The other is the figure of my truth, and cannot be imprisoned in any stereotype (which is the truth of others).
ROLAND BARTHES -
It is no longer the sexual which is indecent, it is the sentimental.
ROLAND BARTHES -
Why is it better to last than to burn?
ROLAND BARTHES -
There are people who think that wrestling is an ignoble sport. Wrestling is not sport, it is a spectacle, and it is no more ignoble to attend a wrestled performance of suffering than a performance of the sorrows of Arnolphe or Andromaque.
ROLAND BARTHES -
Cameras, in short, were clocks for seeing, and perhaps in me someone very old still hears in the photographic mechanism the living sound of the wood.
ROLAND BARTHES -
I passed beyond the unreality of the thing represented, I entered crazily into the spectacle, into the image, taking into my arms what is dead, what is going to die.
ROLAND BARTHES