Each of us has his own rhythm of suffering.
ROLAND BARTHESThe art of living has no history: it does not evolve: the pleasure which vanishes vanishes for good, there is no substitute for it. Other pleasures come, which replace nothing. No progress in pleasures, nothing but mutations.
More Roland Barthes Quotes
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All official institutions of language are repeating machines: school, sports, advertising, popular songs, news, all continually repeat the same structure, the same meaning, often the same words: the stereotype is a political fact, the major figure of ideology.
ROLAND BARTHES -
Television doomed us to the Family, whose household instrument it has become-what the hearth used to be, flanked by the communal kettle.
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In front of the photograph of my mother as a child, I tell myself: she is going to die: I shudder, like winnicott’s psychotic patient, over a catastrophe which has already occurred. Whether or not the subject is already dead, every photograph is this catastrophe.
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Someone tells me: this kind of love is not viable. But how can you evaluate viability? Why is the viable a Good Thing? Why is it better to last than to burn?
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We don’t forget, but something vacant settles in us.
ROLAND BARTHES -
I encounter millions of bodies in my life; of these millions, I may desire some hundreds; but of these hundreds, I love only one.
ROLAND BARTHES -
It is no longer the sexual which is indecent, it is the sentimental.
ROLAND BARTHES -
If I had to create a god, I would lend him a “slow understanding”: a kind of drip-by-drip understanding of problems. People who understand quickly frighten me.
ROLAND BARTHES -
We know that the war against intelligence is always waged in the name of common sense.
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Language is neither reactionary nor progressive; it is quite simply fascist; for fascism does not prevent speech, it compels speech.
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How does meaning get into the image? Where does it end? And if it ends, what is there beyond?
ROLAND BARTHES -
To know that one does not write for the other, to know that these things I am going to write will never cause me to be loved by the one I love (the other), to know that writing compensates for nothing, sublimates nothing, that it is precisely there where you are not–this is the beginning of writing.
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I call the discourse of power any discourse that engenders blame, hence guilt, in its recipient.
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Language is never innocent.
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I love you is unsubtle. It removes explanations, facilities, degrees, scruples.
ROLAND BARTHES