Why is it better to last than to burn?
ROLAND BARTHESWine is a part of society because it provides a basis not only for a morality but also for an environment; it is an ornament in the slightest ceremonials of French daily life, from the snack to the feast, from the conversation at the local cafT to the speech at a formal dinner.
More Roland Barthes Quotes
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Don’t say mourning. It’s too psychoanalytic. I’m not mourning. I’m suffering.
ROLAND BARTHES -
All those young photographers who are at work in the world, determined upon the capture of actuality, do not know that they are agents of Death.
ROLAND BARTHES -
I call the discourse of power any discourse that engenders blame, hence guilt, in its recipient.
ROLAND BARTHES -
Language is neither reactionary nor progressive; it is quite simply fascist; for fascism does not prevent speech, it compels speech.
ROLAND BARTHES -
To eat steak rare represents both a nature and a morality.
ROLAND BARTHES -
The lover who does not forget sometimes dies from excess, fatigue, and the strain of memory (like Werther).
ROLAND BARTHES -
Man does not exist prior to language, either as a species or as an individual.
ROLAND BARTHES -
Where you are tender, you speak your plural.
ROLAND BARTHES -
Today there is no symbolic compensation for old age, no recognition of a specific value: wisdom, perceptiveness, experience, vision.
ROLAND BARTHES -
I am interested in language because it wounds or seduces me.
ROLAND BARTHES -
To eat, to speak, to sing (need we add: to kiss?) are operations which have the same site of the body for origin.
ROLAND BARTHES -
Ultimately, Photography is subversive, not when it frightens, repels, or even stigmatizes, but when it is pensive, when it thinks.
ROLAND BARTHES -
I make the other’s absence responsible for my worldliness.
ROLAND BARTHES -
Isn’t the most sensitive point of this mourning the fact that I must lose a language – the amorous language? No more ‘I love you’s.
ROLAND BARTHES -
The photographer, like an acrobat, must defy the laws of probability or even of possibility; at the limit, he must defy those of the interesting: the photograph becomes surprising when we do not know why it has been taken.
ROLAND BARTHES






