Frontiers are physical as well as symbolic constructions.
ROLAND BARTHESHow does meaning get into the image? Where does it end? And if it ends, what is there beyond?
More Roland Barthes Quotes
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The best principals are not heroes; they are hero makers.
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I try to busy myself elsewhere, to arrive late; but I always lose at this game. Whatever I do, I find myself there, with nothing to do, punctual, even ahead of time.
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Architecture is always dream and function, expression of a utopia and instrument of a convenience.
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All those young photographers who are at work in the world, determined upon the capture of actuality, do not know that they are agents of Death.
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To eat, to speak, to sing (need we add: to kiss?) are operations which have the same site of the body for origin.
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Is not the most erotic part of the body wherever the clothing affords a glimpse?
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Thus every writer’s motto reads: mad I cannot be, sane I do not deign to be, neurotic I am.
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A light without shadow generates an emotion without reserve.
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What love lays bare in me is energy.
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The realists do not take the photograph for a ‘copy’ of reality, but for an emanation of past reality, a magic, not an art.
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The text you write must prove to me that it desires me. This proof exists: it is writing. Writing is: the science of the various blisses of language, its Kama Sutra (this science has but one treatise: writing itself).
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To know that one does not write for the other, to know that these things I am going to write will never cause me to be loved by the one I love (the other), to know that writing compensates for nothing, sublimates nothing, that it is precisely there where you are not–this is the beginning of writing.
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Don’t say mourning. It’s too psychoanalytic. I’m not mourning. I’m suffering.
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New York is a city of geometric heights, a petrified desert of grids and lattices, an inferno of greenish abstraction under a flat sky, a real Metropolis from which man is absent by his very accumulation.
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The photographer, like an acrobat, must defy the laws of probability or even of possibility; at the limit, he must defy those of the interesting: the photograph becomes surprising when we do not know why it has been taken.
ROLAND BARTHES






