In an initial period, Photography, in order to surprise, photographs the notable; but soon, by a familiar reversal, it decrees notable whatever it photographs. The ‘anything whatever’ then becomes the sophisticated acme of value.
ROLAND BARTHESCameras, in short, were clocks for seeing, and perhaps in me someone very old still hears in the photographic mechanism the living sound of the wood.
More Roland Barthes Quotes
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Through the mythology of Einstein, the world blissfully regained the image of knowledge reduced to a formula.
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To make someone wait: the constant prerogative of all power.
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Today there is no symbolic compensation for old age, no recognition of a specific value: wisdom, perceptiveness, experience, vision.
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I have tried to be as eclectic as I possibly can with my professional life, and so far it’s been pretty fun.
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Don’t say mourning. It’s too psychoanalytic. I’m not mourning. I’m suffering.
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The birth of the reader must be at the cost of the death of the Author.
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A photograph is always invisible, it is not it that we see.
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Pleasure is continually disappointed, reduced, deflated, in favor of strong, noble values: Truth, Death, Progress, Struggle, Joy, etc. Its victorious rival is Desire: we are always being told about Desire, never about Pleasure.
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Every photograph is a certificate of presence.
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There are people who think that wrestling is an ignoble sport. Wrestling is not sport, it is a spectacle, and it is no more ignoble to attend a wrestled performance of suffering than a performance of the sorrows of Arnolphe or Andromaque.
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Great portrait photographers are great mythologists.
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Where you are tender, you speak your plural.
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When we look at a photograph of ourselves or of others, we are really looking at the return of the dead.
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We don’t forget, but something vacant settles in us.
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The lover who does not forget sometimes dies from excess, fatigue, and the strain of memory (like Werther).
ROLAND BARTHES