A photograph is always invisible, it is not it that we see.
ROLAND BARTHESLanguage is never innocent.
More Roland Barthes Quotes
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The politician being interviewed clearly takes a great deal of trouble to imagine an ending to his sentence: and if he stopped short? His entire policy would be jeopardized!
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The birth of the reader must be at the cost of the death of the Author.
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The lover who does not forget sometimes dies from excess, fatigue, and the strain of memory (like Werther).
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The lover’s fatal identity is precisely this: I am the one who waits.
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To make someone wait: the constant prerogative of all power.
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The photographer, like an acrobat, must defy the laws of probability or even of possibility; at the limit, he must defy those of the interesting: the photograph becomes surprising when we do not know why it has been taken.
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Through the mythology of Einstein, the world blissfully regained the image of knowledge reduced to a formula.
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I make the other’s absence responsible for my worldliness.
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The Ventoux is a god of Evil, to which sacrifices must be made. It never forgives weakness and extracts an unfair tribute of suffering.
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Language is legislation, speech is its code. We do not see the power which is in speech because we forget that all speech is a classification, and that all classifications are oppressive.
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Architecture is always dream and function, expression of a utopia and instrument of a convenience.
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Whereas the work is understood to be traceable to a source (through a process of derivation or “filiation”), the Text is without a source – the “author” a mere “guest” at the reading of the Text.
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Physically, the Ventoux is dreadful. Bald, it’s the spirit of Dry: Its climate (it is much more an essence of climate than a geographic place) makes it a damned terrain, a testing place for heroes, something like a higher hell.
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All official institutions of language are repeating machines: school, sports, advertising, popular songs, news, all continually repeat the same structure, the same meaning, often the same words: the stereotype is a political fact, the major figure of ideology.
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I encounter millions of bodies in my life; of these millions, I may desire some hundreds; but of these hundreds, I love only one.
ROLAND BARTHES






