The realists do not take the photograph for a ‘copy’ of reality, but for an emanation of past reality, a magic, not an art.
ROLAND BARTHESThe realists do not take the photograph for a ‘copy’ of reality, but for an emanation of past reality, a magic, not an art.
More Roland Barthes Quotes
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The haiku reproduces the designating gesture of the child pointing at whatever it is (the haiku shows no partiality for the subject), merely saying: that!
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I passed beyond the unreality of the thing represented, I entered crazily into the spectacle, into the image, taking into my arms what is dead, what is going to die.
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All those young photographers who are at work in the world, determined upon the capture of actuality, do not know that they are agents of Death.
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I make the other’s absence responsible for my worldliness.
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To make someone wait: the constant prerogative of all power.
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Every photograph is a certificate of presence.
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Television doomed us to the Family, whose household instrument it has become-what the hearth used to be, flanked by the communal kettle.
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Don’t say mourning. It’s too psychoanalytic. I’m not mourning. I’m suffering.
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Where you are tender, you speak your plural.
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The birth of the reader must be at the cost of the death of the Author.
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I cannot classify the other, for the other is, precisely, Unique, the singular Image which has miraculously come to correspond to the speciality of my desire. The other is the figure of my truth, and cannot be imprisoned in any stereotype (which is the truth of others).
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A paradox: the same century invented history and photography. But history is a memory fabricated according to positive formulas, a pure intellectual discourse which abolishes mythic time; and the photograph is a certain but fugitive testimony.
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To try to write love is to confront the muck of language: that region of hysteria where language is both too much and too little, excessive and impoverished.
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Language is a skin: I rub my language against the other. It is as if I had words instead of fingers, or fingers at the tip of my words. My language trembles with desire.
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It is no longer the sexual which is indecent, it is the sentimental.
ROLAND BARTHES






