They very often just try to cope with their own election, their own popularity, solving the problem or selling the ideas to meet their own voters. By doing that, it creates a great imbalance in terms of making deals or treaty or all those things.
The leadership knows that you cannot solve the issues of China’s future with the means of the past. The demographic consequences of the one-child policy, the build-up of the welfare state.
I also have to speak out for people around me who are afraid, who think it is not worth it or who have totally given up hope. So I want to set an example: you can do it and this is OK, to speak out.
The IT people who have made such an effort to know and understand computer technology. They are frustrated that you cannot use Facebook, Twitter and YouTube in China. They are the first to recognize that the situation is terrible.
China didn’t want to lose the cutting edge of technology. So the idea of having a Sina Weibo was an attempt to compete with Twitter. However, it has no soul – which is freedom of expression. Nevertheless,
Somehow, we [ Tan Dun and director Chen Kaige] were all privileged at the time; we could be outside of China. But at the moment, we had no sense of what the future was going to be like.
The project or a few ideas which are not finished or if there are possible directions and what will lead into another game. It’s always like setting up some kind of game you can continuously play.