…photographs are facts, but not necessarily true… The present always surpasses the past, and the future will not care about today.
AI WEIWEIThe leadership knows that you cannot solve the issues of China’s future with the means of the past. The demographic consequences of the one-child policy, the build-up of the welfare state.
More Ai Weiwei Quotes
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You need a purpose to express yourself, but that expression is its own purpose.
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To give a price to an artwork, no matter how high or low, is always absurd. It’s not something that can be measured by money or by certain numbers.
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By participating in the society we live in, we understand our conditions and the way we relate to the world.
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My definition of art has always been the same. It is about freedom of expression, a new way of communication. It is never about exhibiting in museums or about hanging it on the wall.
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That’s why I always question this sense. The feeling of home really requires a lot of trust. It requires you to identify with it, which I always find myself very contradictory to.
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They lack any ability to sense what is beautiful or what is proper. They can be learned and skillful, but they lack the ability to make their own free judgment. It is really sad to see young adults of 20, 25 years who were never taught to make their own decisions.
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It’s not really an ideology, but a method of control. But China’s problems are not just China’s problems – they’re human problems. Humanity has always worked better when you see it as one.
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I loved New York — every inch of it. It was a little bit scary at that time, but still, the excitement was so strong — visually and intellectually. It was like a monster.
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The art always wins. Anything can happen to me, but the art will stay.
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You start to see the society, how it functions, how it works. Then you have a lot of criticism about how it works.
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For those actors and directors who produce films which are always about the old kingdom or about heroes.
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We literally lived underground. We dug a hole and lived there for years. My father cleaned public toilets, even though he was a highly respected poet.
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A clear understanding of such differences will help the rest of the world understand China and all that is happening to the nation.
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Of course, there [in China] has to be chaos. It has to be crazy, and I don’t think there’s anything wrong about it except this government, which is really incapable of doing anything meaningful.
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Once you’ve tasted freedom, it stays in your heart and no one can take it. Then, you can be more powerful than a whole country.
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I don’t care if this is a great cultural event or a national symbol. It has nothing to do with me. It deals with the city.
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I have people working together, doing different things: architecture, art installation, photography, publishing, and curatorial works and design.
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So, the politicians and the people who make decisions very often is the one we think can make some difference. But of course they will not make a difference if the citizens or the individuals not push it or not to speak out, to possess a very strong voice about, this is not acceptable.
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I think the government regrets having Sina Weibo, but they cannot shut it down. That would definitely be suicidal.
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[Being unique] gives so much privilege to people who can make it, rather than having some moral and aesthetic discussions.
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It’s like the mountains, the ocean and the rivers. It has its own geological forms. Societies cannot be flat. But during change, human rights, human dignity and free speech have to be protected. Otherwise, we’ll be going backward.
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I think it’s a responsibility for any artist to protect freedom of expression and to use any way to extend this power.
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We have to give our opinion, we have to say something, or we are a part of it. As an artist I am forced to say something.
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Your own acts tell the world who you are and what kind of society you think it should be.
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That’s why the country can’t face up to open competition – unless it resorts to measures like North Korea.
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I have always stated I designed the stadium as a toilet seat.
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