Now you have the equal opportunity to equip yourself through information and knowledge and express yourself as an independent mind.
AI WEIWEIHopefully, other successes aren’t like me. It carries much more meaning to other people; my success story is irrelevant. It doesn’t make any sense.
More Ai Weiwei Quotes
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Say what you say plainly, and then take responsibility for it.
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Being an artist is more of a mindset, a way of seeing things; it is no longer so much about producing something.
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Imagine one day, the hateful world around you collapses. And it is your attitude, words and actions that put an end to it. Will you be excited?
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I am very much interested in the so-called useless object. I mean, it takes perfect craftsmanship, beautiful material carefully measured and crafted, but at the same time it’s really useless.
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Today, we jump into this globalization of the economy and the internet age.
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China hasn’t only existed for one day. Now, the whole nation has become richer and it’s become a problem. The problem is universal. The factor is big. Everybody has to rethink the balance of the world and the whole landscape.
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Nowadays, China is experiencing the detrimental effects of such decisions. Its citizens have no creativity.
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There’s no such thing as “fixed” culture. China is also becoming more global. Its problems are becoming international problems, becoming German problems, becoming American problems.
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The rest of the world understands little about China’s changes and the possibilities and crises that come with them.
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Democracy, material wealth, and universal education are the soil upon which modernism exists.
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We are not on – even just a step away from the most brutal and primitive crudity. To be very crude on those issues, which is always challenges and we always have to look at the situation like a mirror, to draw some understanding.
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A clear understanding of such differences will help the rest of the world understand China and all that is happening to the nation.
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[Therefore] holding a trial outside the court. I think that is fairness, that is justice, that is a civil society. Otherwise call it an evil society because everything is hidden.
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I wouldn’t say I’ve become more radical: I was born radical.
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Every day I’m learning something new from the practice. It’s very rewarding.
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But personally, I don’t think my work and my understanding of art is so much related to being Chinese, but the character of that. Maybe it’s beyond my own consciousness.
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Any individual can contribute its own belief. And our society or even our government are made by the people. The people would have the final voice, but it requires each individual to act. If we don’t act, then the result is very clear.
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I also have to speak out for people around me who are afraid, who think it is not worth it or who have totally given up hope. So I want to set an example: you can do it and this is OK, to speak out.
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I loved New York — every inch of it. It was a little bit scary at that time, but still, the excitement was so strong — visually and intellectually. It was like a monster.
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For artists and intellectuals today, what is most needed is to be clear about social responsibility, because that is what most people automatically give up. Just to protect yourself as an individual is very political.
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Otherwise, I think the building can be bigger, larger, and the city can be much more crazy. The problem is the government structure is so deadly stupid, not really solving problems but creating a lot of problems itself every day.
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This so-called fame or being better off doesn’t really attract me at all.
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I want people to see their own power.
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Many people are going to use [Beijing National Stadium], which makes it more meaningful. If we don’t design it, somebody else has to design it.
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We have to give our opinion, we have to say something, or we are a part of it. As an artist I am forced to say something.
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The leadership knows that you cannot solve the issues of China’s future with the means of the past. The demographic consequences of the one-child policy, the build-up of the welfare state.
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