Even today the borders they’re seeing the physical borders are very different from the political borders. Because all those powers are so connected, and you cannot even see whose interest in what move.
AI WEIWEIThis world should be much more open and should be much more free, so the young people would have the chance to exercise the quality of their lives.
More Ai Weiwei Quotes
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For those actors and directors who produce films which are always about the old kingdom or about heroes.
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I don’t think my father had a direct influence on me, but I do think, more or less, I was influenced by his independent individualism.
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I think you can give meaning to any condition; you can be poor or unsuccessful or be so-called successful. But I don’t think that it would give an individual human being a better condition.
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I’m just bringing them to Kassel to see the art show, and pay their room and board.
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The art always wins. Anything can happen to me, but the art will stay.
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I believe [the architecture firm] Herzog and de Meuron and our collaboration made the product the best it could be.
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If there is no free speech, every single life has lived in vain
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Otherwise, I think the building can be bigger, larger, and the city can be much more crazy. The problem is the government structure is so deadly stupid, not really solving problems but creating a lot of problems itself every day.
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To the media, I have become a symbolic figure, critical of China. According to the government, I am a dangerous threat.
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If I look at it, I would laugh. I don’t know how I became successful.
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As a total activity – I practice curating, art, architecture, writing, and publishing all together. I still act as a living creature.
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I think it’s more important to show your work to the public.
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Everyone wants an iPhone, but it would be impossible to design an iPhone in China because it’s not a product; it’s an understanding of human nature.
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Nationality and borders are barriers to our intelligence, to our imagination and to all kinds of possibilities.
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The rest of the world understands little about China’s changes and the possibilities and crises that come with them.
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If we all say the same thing, then I think the government has to listen. But because no one is saying it, I become singled out, even though what I’m saying is common sense.
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The motivation is really to say people can find the game of getting involved interesting and find the problem and really have the passion and the enthusiasm to solve it and move forward, but that’s all I know.
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Chinese government is very clearly losing power in every aspect, but trying to fix up all the problems or potential problems.
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Any politician who respects China’s government should tell it openly what is in his heart. It is disrespectful to keep quiet about such issues – both vis-a-vis the government and the people concerned.
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I don’t care if this is a great cultural event or a national symbol. It has nothing to do with me. It deals with the city.
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That’s why I always question this sense. The feeling of home really requires a lot of trust. It requires you to identify with it, which I always find myself very contradictory to.
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I think of art as coming from daily life, daily experience. I think it’s very important not to have it become work for some kind of elite circle.
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You have so many museums in the West, and so many shows, you need somebody to show the work, otherwise it’s empty.
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I’m doing quite a few things now. In one day, I will go to Kassel, Germany, for a documentary project I’ve been preparing for half a year.
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It’s just a way you have to set up some kind of activities to follow your instincts or your curiosities.
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Society becomes very destructive.
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