If my art has nothing to do with people’s pain and sorrow, what is ‘art’ for?
AI WEIWEIMass production is nothing new. Weren’t cathedrals built through mass production? The pyramids?
More Ai Weiwei Quotes
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I am very much interested in the so-called useless object. I mean, it takes perfect craftsmanship, beautiful material carefully measured and crafted, but at the same time it’s really useless.
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A lot of the time [in the U.S.], I was thinking about how spending time is always questionable or is always the biggest obstacle in my life.
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I think I’m just a traveler. When you walk across a river and there’s no bridge, you build one. I’m used to having to deal with Chinese Communist ideology.
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Of course, people will call you an old artist or young artist, which is just a character of you.
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I loved New York — every inch of it. It was a little bit scary at that time, but still, the excitement was so strong — visually and intellectually. It was like a monster.
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If it’s possible, I will have some noodles in the morning and start talking to people, start to think about a few things in my head.
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I think it’s more important to show your work to the public.
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As long as I can communicate, I’m not so lonely. If I cannot travel, or do art, or have company, if they take away all my belongings, it doesn’t matter at all.
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Freedom of expression is a very essential condition for me to make any art. Also, it is an essential value for my life. I have to protect this right and also to fight for the possibility.
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I curated this show [Shanghai Biennale ], I was by no means trying to shock people or be controversial.
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A historical property has morals and ethics of the society that created it and it can be revived. What I mean is that we can discover new possibilities from the process of dismantling, transforming, and recreating.
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It is to wonder about the world, to understand the nature of people and, most importantly, to be shared with another, old or young, known or unknown.
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The intention to separate art from politics is itself a very political intention.
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Creativity is part of human nature. It can only be untaught.
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Nothing is clear-cut. Perhaps I’ll find my way – or get totally lost.
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The whole attitude of society has become much more open and realistic. They realize that the only way to make a more democratic and free society is to let different opinions come out.
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I don’t care if this is a great cultural event or a national symbol. It has nothing to do with me. It deals with the city.
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New York has given me a lot, but I still don’t consider it home.
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This world should be much more open and should be much more free, so the young people would have the chance to exercise the quality of their lives.
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It’s very essential values that we all have to protect. But in Chinese society, people are giving up on protecting these values.
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[Shanghai Biennale] has been my attitude for as long as I’ve been practicing art and other cultural-related activities.
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My angst and my insecurity reflect the state’s angst and insecurity. The state is scared too.
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I don’t want the next generation to fight the same fight as I did.
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For artists and intellectuals today, what is most needed is to be clear about social responsibility, because that is what most people automatically give up. Just to protect yourself as an individual is very political.
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If I really have nothing to do, I just watch my cats, take some photos, and go back to my personal blog.
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I was an illegal alien for many, many years. I couldn’t move. If I moved I could not even get a visa back.
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