One day we’ll go in together, and the work will be ours.
PATTI SMITHI refuse to believe that Hendrix had the last possessed hand, that Joplin had the last drunken throat, that Morrison had the last enlightened mind.
More Patti Smith Quotes
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I’m okay with roaming around the world in my bunk for days on end. Maybe every third day I’ll get a shower or stumble out at dawn and realize I’m in a field in Poland. I like that kind of life.
PATTI SMITH -
All I’ve ever wanted, since I was a child, was to do something wonderful.
PATTI SMITH -
I refuse to believe that Hendrix had the last possessed hand, that Joplin had the last drunken throat, that Morrison had the last enlightened mind.
PATTI SMITH -
I was always a tomboy as a kid. I always had boyfriends. I was just a regular girl growing up in the late ’50s and early ’60s, but I was never really attracted to what the girls were attracted to: makeup, my appearance, homemaking.
PATTI SMITH -
Writing is not some quiet, closet act.
PATTI SMITH -
I’m a worker. I do the work to communicate, and I want people to embrace it, and when they do I’m happy.
PATTI SMITH -
Life isn’t some vertical or horizontal line — you have your own interior world, and it’s not neat.
PATTI SMITH -
Vowels are the most illuminated letters in the alphabet. Vowels are the colors and souls of poetry and speech. (1976 Penthouse interview)
PATTI SMITH -
People came at me with all sorts of offers, wanting to make me into a hard-core Cher. I had no desire for any amount of money to be reformed for someone’s vision, because in the end, that’s what you got: your clay in someone else’s hands.
PATTI SMITH -
Life is an adventure of our own design intersected by fate and a series of lucky and unlucky accidents.
PATTI SMITH -
I started resenting how much art robs from life. I’d go to a party and I couldn’t enjoy myself, even sexually. All I could think was how I was going to reinvent the experience into a piece of art.
PATTI SMITH -
I don’t know why, the very first word on my very first record is ‘Jesus.’ I still invoke him as an entity to reckon with.
PATTI SMITH -
You can’t work on that scale without trust. I learned that from working with Robert Mapplethorpe.
PATTI SMITH -
Well, I’m not one of those people who needs the limelight. If I’m performing, that’s what I’m doing. If I’m not, I don’t long for it. I don’t need the approval of an audience, or applause.
PATTI SMITH -
In my low periods, I wondered what was the point of creating art. For whom? Are we animating God? Are we talking to ourselves? And what was the ultimate goal? To have one’s work caged in art’s great zoos – the Modern, the Met, the Louvre?
PATTI SMITH