I’ve always considered myself a writer.
PATTI SMITHShould I pursue a path so twisted? Should I crawl defeated and gifted?
More Patti Smith Quotes
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I’ve lost many, many friends through natural causes, through alcohol, through drugs, through AIDS. And every time I lose a friend or a loved one, it reminds me how great life is.
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I felt alien my whole life but I didn’t feel alien because of my gender. Other people made me aware of my gender.
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Vowels are the most illuminated letters in the alphabet. Vowels are the colors and souls of poetry and speech. (1976 Penthouse interview)
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I’m okay with roaming around the world in my bunk for days on end. Maybe every third day I’ll get a shower or stumble out at dawn and realize I’m in a field in Poland. I like that kind of life.
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A good artist’s always got his hand in his zipper.
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I had no proof that I had the stuff to be an artist, though I hungered to be one.
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What a model of an artist was for me was an artist who worked. Picasso was the ultimate model, because the work ethic he had.
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In my low periods, I wondered what was the point of creating art. For whom? Are we animating God? Are we talking to ourselves? And what was the ultimate goal? To have one’s work caged in art’s great zoos – the Modern, the Met, the Louvre?
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I’m from South Jersey: The idea of eating a roll with olive oil and anchovies or some kind of sardine and drinking mint tea definitely comes from reading Paul Bowles.
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I was quite an insomniac. I rarely slept as a child. Having God to talk to at night was nice.
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With the death of Robert Mapplethorpe, I had lost my main collaborator in taking photographs. So I didn’t know who to work with.
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I think it’s important for people to realize that we were all young, all naive, and also we had lived in a time that had magic.
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Polaroid by its nature makes you frugal. You walk around with maybe two packs of film in your pocket. You have 20 shots, so each shot is a world.
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Everybody’s got to reclaim these thingspoetry, rock’n’roll, political activismand it’s got to be done over and over again. It’s like eating: you can’t say,’Oh, I ate yesterday’.You have to eat again.
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I’ve always had a desire to write something and capture people’s imagination like Peter Pan had captured mine.
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My father came a couple of times, but he always blamed his hearing loss on my loud amplifiers. So he didn’t come anymore, but I had his support.
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People came at me with all sorts of offers, wanting to make me into a hard-core Cher. I had no desire for any amount of money to be reformed for someone’s vision, because in the end, that’s what you got: your clay in someone else’s hands.
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One day we’ll go in together, and the work will be ours.
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I’m not really a nostalgic person.
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To be an artist – actually, to be a human being in these times – it’s all difficult. … What matters is to know what you want and pursue it.
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I was always a tomboy as a kid. I always had boyfriends. I was just a regular girl growing up in the late ’50s and early ’60s, but I was never really attracted to what the girls were attracted to: makeup, my appearance, homemaking.
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I don’t know why, the very first word on my very first record is ‘Jesus.’ I still invoke him as an entity to reckon with.
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The film [Dream of Life] doesn’t hide anything, except maybe moments of sorrow or darkness that belonged to me.
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The two things that constantly inspired me were books and travel.
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I’m a worker. I do the work to communicate, and I want people to embrace it, and when they do I’m happy.
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Trust is everything between two artists, or between subject and artist. You have to have trust or nothing good will come out of it.
PATTI SMITH