I was never a singer, I can’t play any instruments, I had no training. Plus, I was brought up in a time when all the great rock stars were male. I didn’t have any template for what I was doing. I did what I did out of frustration and concern.
PATTI SMITHI was always a tomboy as a kid. I always had boyfriends. I was just a regular girl growing up in the late ’50s and early ’60s, but I was never really attracted to what the girls were attracted to: makeup, my appearance, homemaking.
More Patti Smith Quotes
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I’ve lost many, many friends through natural causes, through alcohol, through drugs, through AIDS. And every time I lose a friend or a loved one, it reminds me how great life is.
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I had no proof that I had the stuff to be an artist, though I hungered to be one.
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You can’t work on that scale without trust. I learned that from working with Robert Mapplethorpe.
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In my low periods, I wondered what was the point of creating art. For whom? Are we animating God? Are we talking to ourselves? And what was the ultimate goal? To have one’s work caged in art’s great zoos – the Modern, the Met, the Louvre?
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I knew if I lived long enough I would be poet laureate of something.
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Will you pretend you’re my boyfriend?
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I’m not really a nostalgic person.
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I refuse to believe that Hendrix had the last possessed hand, that Joplin had the last drunken throat, that Morrison had the last enlightened mind.
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My father came a couple of times, but he always blamed his hearing loss on my loud amplifiers. So he didn’t come anymore, but I had his support.
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Remember, we are mortal, but poetry is not.
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I was quite an insomniac. I rarely slept as a child. Having God to talk to at night was nice.
PATTI SMITH -
I was always a tomboy as a kid. I always had boyfriends. I was just a regular girl growing up in the late ’50s and early ’60s, but I was never really attracted to what the girls were attracted to: makeup, my appearance, homemaking.
PATTI SMITH -
The film [Dream of Life] doesn’t hide anything, except maybe moments of sorrow or darkness that belonged to me.
PATTI SMITH -
To be an artist – actually, to be a human being in these times – it’s all difficult. … What matters is to know what you want and pursue it.
PATTI SMITH -
In my low periods, I wondered what was the point of creating art. For whom? Are we animating God? Are we talking to ourselves? And what was the ultimate goal? To have one’s work caged in art’s great zoos – the Modern, the Met, the Louvre?
PATTI SMITH -
Should I pursue a path so twisted? Should I crawl defeated and gifted?
PATTI SMITH -
People came at me with all sorts of offers, wanting to make me into a hard-core Cher. I had no desire for any amount of money to be reformed for someone’s vision, because in the end, that’s what you got: your clay in someone else’s hands.
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The two things that constantly inspired me were books and travel.
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Writing is not some quiet, closet act.
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I’m a worker. I do the work to communicate, and I want people to embrace it, and when they do I’m happy.
PATTI SMITH -
I understood that in this small space of time we had mutually surrendered our loneliness and replaced it with trust.
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Never let go of that fiery sadness called desire.
PATTI SMITH -
For Christmas every year, my mother used to give me those cheap little diaries that would tell your horoscope and provide a little blank slot for each day.
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I’ve always considered myself a writer.
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Vowels are the most illuminated letters in the alphabet. Vowels are the colors and souls of poetry and speech. (1976 Penthouse interview)
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All I’ve ever wanted, since I was a child, was to do something wonderful.
PATTI SMITH